A photographic exploration of mathematicians' chalkboards "A mathematician, like a painter or poet, is a maker of patterns," wrote the British mathematician G. H. Hardy. In Do Not Erase, photographer Jessica Wynne presents remarkable examples of this idea through images of mathematicians' chalkboards. While other fields have replaced chalkboards with whiteboards and digital presentations, mathematicians remain loyal to chalk for puzzling out their ideas and communicating their research. Wynne offers more than one hundred stunning photographs of these chalkboards, gathered from a diverse group of mathematicians around the world. The photographs are accompanied by essays from each mathematician, reflecting on their work and processes. Together, pictures and words provide an illuminating meditation on the unique relationships among mathematics, art, and creativity. The mathematicians featured in this collection comprise exciting new voices alongside established figures, including Sun-Yung Alice Chang, Alain Connes, Misha Gromov, Andre Neves, Kasso Okoudjou, Peter Shor, Christina Sormani, Terence Tao, Claire Voisin, and many others. The companion essays give insights into how the chalkboard serves as a special medium for mathematical expression. The volume also includes an introduction by the author, an afterword by New Yorker writer Alec Wilkinson, and biographical information for each contributor. Do Not Erase is a testament to the myriad ways that mathematicians use their chalkboards to reveal the conceptual and visual beauty of their discipline-shapes, figures, formulas, and conjectures created through imagination, argument, and speculation.

The spirit of Berlin: a photographic journey into the city's history Berlin has survived two world wars, was divided by a wall during the Cold War, and after the fall of the Wall was re-united. The city emerged as a center of European power and culture. From 1860 to the present day, this book presents the story of Berlin in photographs, portraits, maps, and aerial views. With nearly 700 pages of emotional, atmospheric images, from giddy pictures of the Roaring Twenties to devastating images of war to heartwarming postwar photos of a city picking up the pieces?the Reichstag in ruins and later wrapped by Christo and Jeanne-Claude?this is the most comprehensive photographic study on Berlin ever made. More than a tribute to the city and its civic, social, and photographic history, this book especially pays homage to Berlin's inhabitants: full of hope and strength, in their faces is reflected Berlin's undying soul. ? Including images by Henri Cartier-Bresson, Helmut Newton, Ren? Burri, Robert Capa, Thomas Struth, and Wolfgang Tillmans as well as well-known Berlin photo-chroniclers such as Friedrich Seidenst?cker, Erich Salomon, Willy R?mer, and Heinrich Zille. ? Quotations from Berliners and Berlin connoisseurs such as Vladimir Nabokov, Alfred D?blin, Herwarth Walden, Marlene Dietrich, Billy Wilder, Max Schmeling, Willy Brandt, Helmut Newton, Simon Rattle, and David Bowie. Also included: an index of photographers? biographies. The author: Hans Christian Adam studied psychology, art history and communication studies in G?ttingen and Vienna. As a specialist in historical pictorial material, he has published numerous articles and books, including titless on travel and war photography. For thisbook he has researched in public and private collections, viewed tens of thousands of images and also profited from the rich collection of written material in the Berlin State Library. He is also the author of TASCHEN's Edward Sheriff Curtis: The North American Indian, Karl Blossfeldt, and Eug?ne Atget: Paris.

If the termite were a human, its structures would be twice as high as Mount Etna in Sicily... Our world is full of wonders and they are all waiting to be discovered! Nature's many different habitats are home to countless animal and plant species records - superlatives which at times we only become aware of when we compare them with human achievements. In the air, we follow the flight of the largest, fastest and most resilient birds, while in the seas, we encounter huge whales and fish - and it can all be recorded in numbers and statistics, yet the true achievements of the sea giants and why they don't sink are easier to understand if we take a close look at the technical data for ships and submarines...

Phil Vinson grew up in Fort Worth, fascinated by the city's visual icons: Mrs. Baird's Bakery on Summit Avenue, historic Thistle Hill, the tower at the Will Rogers Complex, the Tarrant County Courthouse, the Texas Electric smokestacks, the art-deco design of the Texas & Pacific depot, the Paddock Viaduct. He started making photographs while still in his teens but as an adult he rediscovered the visual richness of his hometown. Once he started photographing, he couldn't stop. For the past four decades, through careers as a journalist, photographer, and teacher, he has spent the weekends driving around taking pictures.Vinson has particular respect for subjects that have been around for enough years to acquire a certain dignity and nobility. Aware that the days of many of these old structures may be numbered, he has tried to document such buildings as the Seventh Street Theater before they disappeared to the wrecking ball.Fort Worth is well documented in photographs, but in many photographs Vinson has moved beyond documentation to a more intimate, personal view of the city, looking for dramatic light and compelling visual design, focusing on architectural details and graphic possibilities not obvious at a casual glance. While most of the photographs in this collection focus on Fort Worth, Vinson, who lived in Childress as a small child, is also drawn to rural or small-town subjects and includes here pictures taken on weekend drives to small communities in North and West Texas.

Robert Mapplethorpe's black-and-white Polaroid photographs of the 1970s--a medium in which he established the style that would bring him international acclaim--are brought together in this new paperback edition. Critically praised for his finely modeled and classically composed photographs, Robert Mapplethorpe remains intensely controversial and enormously popular. This book brings together almost 300 images from the Robert Mapplethorpe Foundation's archive and private collections to provide a critical view of Mapplethorpe's formative years as an artist, revealing the themes that would inspire Mapplethorpe throughout his career. Included is a selection of color Polaroids and objects incorporating his early "instant" photography. Some images convey a disarming tenderness and vulnerability, others a toughness and immediacy that would give way in later years to more classical form. The author traces the development of Mapplethorpe's use of instant photography over a period of five years, from 1970 to 1975, when the artist worked mainly in this medium. The images include self-portraits; figure studies; still lifes; portraits of lovers and friends such as Patti Smith, Sam Wagstaff, and Marianne Faithful; and observations of everyday objects. Marked by a spontaneity and creative curiosity, these fragile images offer an illuminating contrast to the glossy perfection of the work for which Mapplethorpe is best known, allowing us a more personal glimpse of his artistry.

In the late 1950s and early 1960s French New Wave cinema exploded onto international screens with films like Les quatre cents coups, A bout de souffle and Jules et Jim. They were radical, artistic, original and most importantly set up the director as a creative genius; at the forefront were Francois Truffaut and Jean-Luc Godard. Today these films are credited with changing cinema forever. For many film goers they command strong and passionate respect and became the foundations on which a lifetime of cinema-going is built. In the photographs of Raymond Cauchetier we bear witness to the great artistic genius that was central to the process of making these films. Cauchetier's photographs are a culturally important documentary of the director at work, his methods and processes. His photographs capture some of the most memorable moments in film; Jean-Paul Belmondo and Jean Seberg on the Champs Elysees in A bout de souffle, Jeanne Moreau in the race scene of Jules et Jim, Anna Karina in a Parisian Cafe in Une femme est une femme. But Cauchetier's genius lies also in the fact that his photographs are far above just a visual record of these films. They clearly show the same spirit, the same freedom and the same originality that made The New Wave so important. Cauchetier's photographs are as much a part of The New Wave as the films themselves. In the words of Richard Brody: In these images, Raymond Cauchetier, a witness to art, made art by bearing true witness. This is the first book published in English featuring the New Wave film photographs of Raymond Cauchetier.

First published in 1982. Routledge is an imprint of Taylor & Francis, an informa company.

In 1989, Malcolm McLaren had his only number one hit with a single called "Deep in Vogue." Early the next year, Madonna had one of the biggest hits of her career, with the single "Vogue," and when Jennie Livingston's film "Paris Is Burning" arrived in cinemas the same year, winning the Grand Jury Prize at the Sundance Film Festival, the mainstream got hip to New York City's extraordinary ball culture, from which the film and McLaren and Madonna's songs had arisen. "Paris Is Burning" documented a gay ballroom scene that emerged in Harlem in the mid-1980s, which drew African American and Latino gay and transgender communities to compete against one another for their dancing skills, the verisimilitude of their drag and their ability to walk on the runway. Photographer Chantal Regnault spent many years recording this scene, from which the dance style known as voguing arose. A visual riot of fashion, polysexuality and subversive style, "Voguing and the Gay Balls of New York City" is also an extraordinary document on sexuality and race. The wild years of voguing are vividly captured in Regnault's hundreds of amazing, previously unpublished photographs. The book also features interviews with key figures from the movement, essays, flyers and ephemera.
Photographer and documentarist Chantal Regnault was born in France. She left Paris after the 1968 uprisings to live in New York, where she lived for the next 15 years. At the end of the 1980s she became immersed in Harlem's voguing scene. Also around this time, Regnault developed an interest in Haitian voodoo culture and began to divide her time between Haiti and New York. Her widely published photographs have appeared in major magazines and newspapers, including "Vanity Fair" and "The New York Times."

From tea fields to technology, women are the resilient, hardworking backbone of their communities. Award-winning photographer Alison Wright's 128 dynamic color plates portray women in more than 25 developing countries, whose perseverance is often overlooked. Women from Nicaragua to Nepal share empowering experiences of rising above their circumstances, be it poverty or oppressive cultural conventions. The photos and the women's quotes express what work means to them-creating financial independence, purpose, and community, as well as deep-rooted cultural traditions. Grit and Grace also celebrates the grassroots organizations committed to finding creative solutions to the challenges these individuals face. Give a woman a seed of opportunity, and she will grow a forest.

From his childhood in Melbourne, David Neilson (b. 1946) has been motivated by his twin loves of mountaineering and photography. He has made multiple expeditions to southwest Tasmania, Patagonia, and Antarctica, and published critically acclaimed photo books about each of these places; he has also carried his camera into the Karakoram, and the Alps of Australia, New Zealand, and Europe. In this oversize volume, Neilson recounts his lifelong quest to capture the mountain light and encourage the preservation of wild places. His most spectacular images of jagged peaks, massive glaciers, and hardy wildlife are reproduced as duotones of the highest quality. A number of vertical double-page images even invite readers to turn the book sideways to immerse themselves in the mountain heights. Chasing the Mountain Light will delight all lovers of the outdoors.

An engaging introduction to the work and the world of pioneering photographer Julia Margaret Cameron, Arresting Beauty presents more than 120 images from the V&A’s collection, the largest holding of Cameron’s photographs in the world. Exploring her unique artistry, this book reaffirms her position as one of the most innovative and influential photographers of all time.

The "Illustrated History of Leicester's Suburbs" shows, through a fine selection of photographs from the Leicester Mercury and Leicestershire Record Office, how the countryside, farms and villages developed into the urban streets, residential areas, shopping districts and industrial estates that are so familiar today. In the course of the last 150 years, the outskirts of the city have been transformed, and they would have expanded in a way that would astonish Leicester residents of just a few generations ago.In this detailed and fully-illustrated account of the suburbs, Christine Jordan offers a concise history of each district, but she also features local anecdotes, myths and folklore, and she remembers remarkable, sometimes bizarre, episodes and notable individuals who played their part in the story. Her survey will be essential reading and reference for everyone who takes an interest in their neighbourhood and in the complex, surprising history of the city itself.Leicester evolved over the centuries, gradually at first, then swiftly during the 19th and 20th centuries. In the space of a few generations, small villages on the periphery were absorbed by the city's expansion. But Christine Jordan shows how these villages retained an identity, and their names have lived on in the urban areas that surround the centre. The origins and development of districts as diverse as Aylestone, Braunstone, Stoneygate, Evington, Spinney Hills and Clarendon Park are recalled in her account, as are the stories of the many other communities that make up the modern city.

'The ultimate traveller guilty pleasure, offering a look inside some of the most compelling cabins around the world' Lonely Planet Initially created by a group of friends as an online scrapbook, Cabin Porn became a phenomenon following the publication of the first volume of photographs of hand-made homes in breathtaking natural landscapes around the world. This new book - now available as a compact paperback - delves deeper into the best-loved homes featured on the blog over the last ten years, offering close-ups of the stunning architecture and interior design that make them truly remarkable. With more timeless photography and compelling design stories, Cabin Porn: Inside brings fresh inspiration for your quiet place somewhere.

Eye on Africa: Thirty years of Africa images, selected by Salgado himself Sebasti?o Salgado is one the most respected photojournalists working today, his reputation forged by decades of dedication and powerful black and white images of dispossessed and distressed people taken in places where most wouldn?t dare to go. Although he has photographed throughout South America and around the globe, his work most heavily concentrates on Africa, where he has shot more than 40 reportage works over a period of 30 years. From the Dinka tribes in Sudan and the Himba in Namibia to gorillas and volcanoes in the lakes region to displaced peoples throughout the continent, Salgado shows us all facets of African life today. Whether he's documenting refugees or vast landscapes, Salgado knows exactly how to grab the essence of a moment so that when one sees his images one is involuntarily drawn into them. His images artfully teach us the disastrous effects of war, poverty, disease, and hostile climatic conditions. This book brings together Salgado's photos of Africa in three parts. The first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today's Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises. This stunning book is not only a sweeping document of Africa but an homage to the continent's history, people, and natural phenomena.

More than any other artist, Walker Evans invented the images of essential America that we have long since accepted as fact, and his work has influenced not only modern photography but also literature, film and visual arts in other mediums. The original edition of "American Photographs" was a carefully prepared letterpress production, published by The Museum of Modern Art in 1938 to accompany an exhibition of photographs by Evans that captured scenes of America in the early 1930s. As noted on the jacket of the first edition, Evans, "photographing in New England or Louisiana, watching a Cuban political funeral or a Mississippi flood, working cautiously so as to disturb nothing in the normal atmosphere of the average place, can be considered a kind of disembodied, burrowing eye, a conspirator against time and its hammers." This seventy-fifth anniversary edition of "American Photographs," made with new reproductions, recreates the original 1938 edition as closely as possible to make the landmark publication available for a new generation. "American Photographs" has fallen out of print for long periods of time since it was first published, and even subsequent editions--two of which altered the design and typography of the book in small but significant ways--are often available only at libraries and rare bookstores. This version, like the fiftieth-anniversary edition produced by the Museum in 1988, captures the look and feel of the very first edition with the aid of new digital technologies.
Walker Evans (1903-1975) took up photography upon his return to New York in 1927, following a year in Paris when his aspiration to become a writer withered in the shadow of Fitzgerald, Hemingway and Joyce. In 1935, Evans was commissioned by the Farm Security Administration to photograph the effects of the Great Depression in the Southeast. During this time he took many of the photographs that appeared in his collaboration with James Agee, "Let Us Now Praise Famous Men "(1941), a book which has become a defining document of that era. Evans joined the staff of "Time "magazine in 1945 and shortly thereafter became an editor at "Fortune," where he stayed for the next two decades. In 1964, he became a professor at the Yale University School of Art, where he taught until his death in 1975.

Originally intended as reference for his work as architect, sculptor and teacher, Blossfeldt's exquisite sharp-focus photo studies of plant form-leaves, buds, stems, seed pods, tendrils and twigs-won acclaim with publication of the 1928 edition of this book. 120 full-page black-and-white plates. Original introduction. Publisher's note. Captions.

Between 2012 and 2019 Francis Meslet photographed several hundred places of worship across Europe. Over time, these places have became enveloped in silence, the only thing heard there now an occasional gust of wind whistling though broken stained glass, or the rhythmic drip of water leaking through the dilapidated roof above a nave. Nevertheless, these muted places still draw an occasional visitor. Once upon a time, prayers could be heard recited in Latin in a German church; and in a French Catholic college, the voices of children once resounded to the sound of the bells. But who can imagine what sounds might be concealed behind the walls of a crypt in the heart of the Italian mountains, or within a tomb in a former convent in Portugal? In his spare time Francis travels the world in search of places that have fallen into disuse -- religious buildings where time has stood still since their doors were closed for the last time. He returns with incredible photographs, each a time capsule, a record of a parallel universe. They prompt us to let our imaginations wander and ask ourselves questions. With the greatest respect for the faithful who regularly visited them long ago, he offers us an opportunity to immerse ourselves in places that have been abandoned by faith, to seek a divine light.

Now she turns her attention to our mysterious, playful and surprisingly wise feline friends. Every page of this full colour gift book pairs a charming photograph with just the right sentiment, offering an inspiring life lesson we can learn from cats. 'Rub people the right way.' 'Be fearless...but have an escape plan.' 'Stay a little wild.' Whether they are hunting, snoozing, playfully wreaking havoc, or showering us with affection, cats have a lot to teach us about living a full life (after all, with nine lives, they have a lot of experience!). As Copeland reminds us, all we have to do is observe with an open heart and mind. Tender, funny, and warm, Really Important Stuff My Cat Has Taught Me is a loving tribute to the feline spirit.

Now available in Paperback. Get up close and personal with the world's best street photographers as they capture the drama of everyday life at 1/125 of a second. Prowl pavements and back alleys, encountering comic absurdities, small acts of kindness and scenes of unexpected beauty; let your eye be caught by a witty billboard, a woman dressed as an angel, a businessman sprinting through the crowd: the human carnival is in town and the streets are alive. Street Photography Now presents 46 contemporary image-makers noted for their candid depictions of everyday life. Included are Magnum masters such as Bruce Gilden, Martin Parr and Alex Webb, along with an international cast of emerging photographers whose individual biographies illuminate the stories behind their pictures of New York, Tokyo, Delhi or Dakar. Four thought-provoking essays and a global conversation between leading street photographers explore the compelling and often controversial issues in the genre. A select bibliography and a resource section for aspiring street photographers complete the book.

"Do Not Refreeze" charts a 'lost' chapter in the history of European photography. These photographers developed their practice in the former East Germany negotiating its omnipresent secret police to create imagery, increasingly compared to that of luminaries such as Henri Cartier-Bresson, Diane Arbus and Robert Frank. The stunning images convey a glimpse of day-to-day life and evoke the claustrophobia, rage, envy and ideological pomp of the Communist era as well as its unexpected personal warmth, tenderness and exoticism. Had they been painters, sculptors, authors or playwrights, these photographers would have been arrested or imprisoned. Because photography was not considered to be 'art' however, they were able to circumnavigate a rigid system of censorship to produce the most insightful and openly critical visual arts output in East Germany's 40-year history. This book is published by Cornerhouse in association with the University of Hertfordshire.