Through stunning digital photography, Roger Camp creates glorious collages of color to present five hundred of the world's most beautiful flowers. A feast for the eye, this is a fine art photographer's rendition of the natural world.

Details of the five hundred flowers displayed are included in an informative index.

There are now precious few places left on earth with which we do not feel familiar, if not from first hand experience then at least from the perspective of the armchair traveller - and fewer still where the camera has not yet prescribed our vision. An unrivalled collection of images of one of the last unsullied wildernesses in the world: the vast, uninhabited spaces of north-east Greenland. These beautiful, majestic and poetic landscapes exist in one of the harshest environments on earth. Roy traces the historical background with a brief outline of Greenland's early exploration. He documents the poignant traces of the Inuit tribe - their winter houses, summer tent circles and graves and enigmatic stone mosaics - and the structures left by the European trappers who once plied their dog-sledges in the lonely fjords. Iain Roy's first expedition to Greenland was in 1982, to the mountainous region of the south near Cape Farewell. He was a member of a small group of Arctic enthusiasts who shared a love of wild spaces and whose ambitions were fuelled by the accounts of earlier pioneers - early whaling and expedition journals and memoirs of scientists and trappers from the pre-war period. The group pooled their resources in order to reach remote corners of a faraway region that had become their common obsession. Roy himself has since made ten expeditions to the region.

'Rough Beauty' is a powerful and moving insight into the struggle of the community of Vidor, Texas, against poverty and its past links to the Ku Klux Klan.

Over the last five years Alessandro Imbriaco has been photographing issues around housing problems in Rome. This has led him to explore the peripheral and hidden spaces of the city. "The Garden" is one of these places. It is a small swamp next to the Aniene River, under a flyover on the ring road circling the eastern outskirts of Rome. Attempts have been made to protect the area's flora and fauna by designating it as a nature reserve, though these efforts have failed and it remains abandoned and with no environmental protection. Yet it has ended up protecting other living creatures: Angela, a six-year-old child, was born here and grew up here with her parents Piero, from Sicily, and Luba, from Russia, in a shack under the flyover. They have found sanctuary in the swamp - a safe shelter, hidden from the rest of the city - a different and invisible existence, unimaginable to all those who drive over the flyover every day.

The stunning photographs and evocative text in this volume capture the essence of Tangier life from the 1920s to the present day. Paul and Jane Bowles, the American painter Marguerite McBay, Woolworth heiress Barbara Hutton, playwright Tennessee Williams, royal photographer Cecil Beaton, and the painters Claudio Bravo and Patrick Procktor are some of the legendary residents of this Moroccan port city portrayed in these reminiscences and candid portraits. Personal family photographs depict the extravagant parties hosted and attended by the author and her circle. The evolution of design and style in some of the great houses as they changed ownership is documented, demonstrating how the composition of life in this archetypal city unfolded throughout the 20th century.

Israel's history can be understood through its vast archaeological heritage. Its past exists not only in the written word but also in its land, in the architecture and ruins, in the stones themselves. Each civilization overwrites another, layer upon layer - a sophisticated palimpsest. A single frame can expose the sediment of thousands of years. The recycling of spaces, from one empire to the next, shows how each sought to conquer and rule the land, all with a similar outcome: eventual failure. Kremer shows the vestiges of this complex multi-cultural saga, testimonies unearthed from the past that show a different perspective. It is landscape as a place of amnesia and erasure, for Israel is a strategic site where the past has been buried and history veiled by natural beauty. Kremer's Israel exists beyond the media headlines and tourist hotspots: it is landscape as cultural force, an instrument in the construction of national and social identity. For Kremer, it is a provocation to critical debate about a country where different perspectives existed, and continue to exist, and where new possibilities can be reflected upon.

As Vietnam moves towards urbanisation, the country's agricultural labour force faces losing its land to urban projects - and its way of life. The country's growing population is reducing the availability of farming land and rural families, no longer able to sustain themselves from the land, are turning to the creation of various products. These 'craft' villages have become the meeting place between rural and urban, agriculture and industry. During the last decade, along with rapid national economic development many craft villages have increased production up to five fold through small-scale industrial development. However, the consequence of this shift is increased waste and environmental pollution with the resources of the landscape becoming overused. Tessa Bunney spent two six month periods in Vietnam and visited many of these villages. The traditional village house is typically single storey and consists of three rooms. The large central room is a multi-purpose living, sleeping and working area and it is in this room where many of Tessa's images are taken, the mix of work and everyday objects fascinating her visually. Interspersed with images from daily life in the rice fields and in the villages, these photographs depict 'working from home' in an unromanticized sense, where their subjects, mostly women, balance childcare with the routine work necessary for survival.

Throughout India images of babies appear everywhere - on posters, in calendars and on billboards. But these are no ordinary babies. Chairman Baby, Scientist Baby, Farmer Baby, Doctor Baby and Army Baby all make an appearance. Carriers of dreams, both personal and social, these babies find themselves in a bewildering and delightful variety of professional roles. One hundred classic baby posters go to make this book unashamedly zany.

'One Another' features images mainly taken at night in St Petersburg and Berlin. Leaden-coloured scenes, greasy spoon cafes, empty halls and old hotel rooms that seem to echo with traces of the past. And people's faces - - hurried glances, small awkward gestures, hands searching for support, the signs of grief or desparation in the corner of an eye - people breaking through the glass of loneliness. For Resnik, photography is the way to stop a moment and look deeper into reality, to step past the often painful dichotomy between subject and the object: "You roam the world looking for the moments you can stop and turn into an act of perception, looking for a revelation, looking for a mirror."

James Morris challenges the tourist cliches and looks at the impact of human presence and the layers history in the landscape. He reflects upon issues of identity, exploitation and regeneration; it is a land of beauty and of hardship where - in this post industrial, post rural economy - Tesco and tourism are now the great employers. These are the contrasting realities of the Welsh landscape - that seen by the many visitors and that experienced by most inhabitants. Morris moves between tourist hot spots and the terraces and back streets where the majority of people live. The latter are often hard bitten unpretty places, often built for reasons that no longer exist, no longer the world's largest producer of iron, coal, copper or slate, these are places that have lost their historic and heroic status, sometimes even their raison d'etre. Regeneration is taking place, but it is taking its time. By contrast the tourist landscape is one of pleasure seeking and escape - this is the Wales that visitors are sold and want to see. But in a small land this selling of culture for the tourist pound has complex consequences that build on the complexities of a relationship that has shaped so much of the landscape.

A perfect and unique gift book for every pet owner and for anyone who loves animals. Beautifully studied portraits that take a touching look at the devoted relationships between pets and their owners. We see the ordinary and the extraordinary--spiders, snakes, geckoes and goats as well as the more usual rabbits, guinea pigs, cats and dogs. Interspersed with humorous and philosophical quotations by famous writers.

This extraordinary book charts David Beckham's rise to celebrity during his years in Manchester.

At the age of 3 David Beckham's parents gave him a Manchester United shirt as a Christmas present, beginning a relationship with the club that was to last a quarter of a century. He signed schoolboy terms in May 1988, eventually joining United as a trainee in July 1991 and moving up to Manchester to begin what was to become an extraordinary story.

From relatively early days, right up to his departure for Real Madrid, Eamonn and James Clarke, the Manchester paparrazi, have recorded his unofficial story--even before he came to prominence as a player and well before his meteoric rise to iconic status.

They were there when he was a young player finding his feet at the club, there to see him out and about with girlfriends or team colleagues, there when "Posh Spice" arrived on the scene, and there to see him becoming a proud father and family man.

And they were the first to photograph him, with the cut above his eye, walking in Manchester after the boot-kicking incident with Sir Alex Ferguson, when it began to dawn on everyone that David Beckham's time at Manchester United was almost over.

In an introductory text, and through extended captions, Eamonn and James Clarke describe their work and encounters with David Beckham. The two brothers have worked as the Manchester paparrazi for the last 10 years. Their images appear regularly on the front pages of the press in the UK as well as internationally in magazines.

John Comino-James has photographed the streets, shops and shopkeepers in the centre of Thame, an historic market town some 45 miles from London. Portraits, texts and candid photographs are contained in a sequence representing a meandering walk through the town, during which we encounter not only the shops and shopkeepers but also the last cattle market operating in the area, travelling showmen at one of the two annual fairs, and the weekly street market. The accompanying interviews reveal pride in the continuation of family businesses, as well as small enterprises both challenged by and benefiting from the increasing impact of the internet. While the presence of supermarkets and services such as banks, travel agents and estate agents is acknowledged, in choosing subjects for portraits Comino-James was drawn to those shopkeepers whose aim might be summed up in the words of one of them: to keep the character of Thame as a Market Town and not a Supermarket town.