Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > Post-Impressionism
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Impressionism and the Modern Landscape - Productivity, Technology, and Urbanization from Manet to Van Gogh (Hardcover)
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Impressionism and the Modern Landscape - Productivity, Technology, and Urbanization from Manet to Van Gogh (Hardcover)
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"With a wealth of fresh ideas and new interpretive perspectives on
familiar pictorial examples, James Rubin provides a lucid,
comprehensive account of the cultural significance of impressionist
painting. He stresses the artists' interest in modern industry,
technology, and productivity--a welcome corrective to our tendency
to view this art almost exclusively as commentary on forms of
bourgeois leisure. This is the type of book that will serve you
well if it is the only one you read on impressionism, but also the
one to read if you have already read all the others."--Richard
Shiff, The University of Texas at Austin
"James Rubin contends, contrary to the arguments of leading
theorists of impressionist painting, that the painters' scenes of
leisure and productivity should be read in tandem, for together
they signify the impressionists' commitment to progressive
modernism." --Dianne Sachko Macleod, author of "Art and the
Victorian Middle Class: Money and the Making of Cultural Identity"
"Although a wealth of new writing on impressionism continues to
appear, images of modern industry, technology, and commerce in the
contemporary urban and rural landscape--a large body of evocative
and often exquisite impressionist paintings--have received little
sustained attention. Rubin's "Impressionism and the Modern
Landscape" successfully fills this gap, approaching the new
industrial landscape as an image of modern productivity essential
for the pursuit of bourgeois leisure. Rubin argues persuasively for
the industrial landscapes as a cohesive and revealing body of work,
presenting an especially impressive analysis of canvases by
Monet."--Mary Tompkins Lewis, editor of "Critical Readings
inImpressionism and Post-Impressionism"
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