Many patrons of the arts in nineteenth-century America built
collections of paintings and sculpture imported primarily from
England or Italy. Collectors in Baltimore--William Walters, George
Lucas, the famous Cone sisters, among others--stand out in this
milieu for having developed a strikingly different aesthetic for
their homes and newly founded public institutions. These collectors
looked to France for models of culture and, acting upon a
remarkable understanding of the educational needs and working
methods of artists, assembled extensive collections of drawings by
French masters, from David to Daumier, Degas, and Cezanne.
The Essence of Line offers the first comprehensive discussion of
the formation of these collections and their significance for the
history of French art. The book begins with essays by Jay M.
Fisher, William R. Johnston, and Cheryl K. Snay that trace the
history of collecting in Baltimore and afford new insights into the
acquisition, display, and interpretation of drawings. In her essay,
conservator Kimberly Schenck bridges the worlds of the collector
and of the artist by examining the production and the use of
drawing materials in an epoch of radical changes as much in
technique as style. This book also provides a fully illustrated,
scholarly catalogue for one hundred of the most important of the
nineteenth-century French drawings now held by The Baltimore Museum
of Art, The Walters Art Museum, and the Peabody Art Collection.
Published on the occasion of an exhibition jointly organized by
The Baltimore Museum of Art and The Walters Art Museum, this book
presents a brilliant panorama of sketches, watercolors, and
presentation drawings, many of them little known outside a small
circle of experts. It is correlated with an online archive of the
entire corpus of nineteenth-century French drawings in the holdings
of these Baltimore museums.
This volume has been published in conjunction with the
exhibition The Essence of Line: French Drawings from Ingres to
Degas, organized by The Baltimore Museum of Art and the Walter Art
Museum, Baltimore, Maryland, and held at:
The Baltimore Museum of Art, 19 June-11 September 2005
The Walters Art Museum 19 June-4 September 2005
Birmingham Museum of Art, 19 February-14 May 2006
Tacoma Art Museum, 9 June-17 September 2006.
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