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Acrobatic Modernism from the Avant-Garde to Prehistory (Hardcover)
Loot Price: R2,857
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Acrobatic Modernism from the Avant-Garde to Prehistory (Hardcover)
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This is a book about artistic modernism contending with the
historical transfigurations of modernity. As a conscientious
engagement with modernity's restructuring of the lifeworld, the
modernist avant-garde raised the stakes of this engagement to
programmatic explicitness. But even beyond the vanguard, the global
phenomenon of jazz combined somatic assault with sensory tutelage.
Jazz, like the new technologies of modernity, re-calibrated sensory
ratios. The criterion of the new as self-making also extended to
names: pseudonyms and heteronyms. The protocols of modernism
solicited a pragmatic arousal of bodily sensation as artistic
resource, validating an acrobatic sensibility ranging from
slapstick and laughter to the pathos of bereavement. Expressivity
trumped representation. The artwork was a diagram of perception,
not a mimetic rendering. For artists, the historical pressures of
altered perception provoked new models, and Ezra Pound's slogan
'Make It New' became the generic rallying cry of renovation. The
paradigmatic stance of the avant-garde was established by Futurism,
but the discovery of prehistoric art added another provocation to
artists. Paleolithic caves validated the spirit of all-over
composition, unframed and dynamic. Geometric abstraction,
Constructivism and Purism, and Surrealism were all in quest of a
new mythology. Making it new yielded a new pathos in the sensation
of radical discrepancy between futurist striving and remotest
antiquity. The Paleolithic cave and the USSR emitted comparable
siren calls on behalf of the remote past and the desired future. As
such, the present was suffused with the pathos of being neither,
but subject to both.
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