""Expanding on her absorbing and controversial 1995 "New Yorker"
article, Joan Acocella examines the politics of Willa Cather
criticism: how Cather's work has been seized upon and often
distorted by critics on both the left and the right. Acocella
argues that the central element of Cather's works was not a
political agenda but rather a tragic vision of life. This
beautifully written book makes a significant contribution to Cather
studies and, at the same time, points out the follies of political
criticism in the study of all literature.
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