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Obscure Objects of Desire - Surrealism, Fetishism, and Politics (Hardcover, New)
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Obscure Objects of Desire - Surrealism, Fetishism, and Politics (Hardcover, New)
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In a speech given in Prague in 1935, Andre Breton asked, 'Is there,
properly speaking, a left-wing art capable of defending itself?'.
But despite his conviction that surrealism did indeed offer such an
art, Breton always struggled to make a theoretical connection
between the surrealists' commitment to the cause of revolutionary
socialism and the form that surrealist art and literature took.
Obscure Objects of Desire explores ways in which such a connection
might be drawn, addressing the possibility of surrealist works as
political in themselves and drawing on ways in which they have been
considered as such by Marxists such as Benjamin and Adorno and by
recent cultural critics. Encompassing Breton's and Aragon's textual
accounts of the object, as well as paintings and the various kinds
of objet surrealiste produced from the end of the 1920s, Malt
mobilises the concept of the fetish in order to consider such works
as meeting points of surrealism's psychoanalytic and revolutionary
preoccupations. Reading surrealist works of art and literature as
political is by no means the same thing as knowing the surrealist
movement to have been a politically motivated one. The
revolutionary character of the surrealist work itself, in isolation
from the polemical positions taken up by Breton and others on its
behalf, is not always evident; indeed, the works themselves often
seem to express a rather different set of concerns. As well as
offering a new perspective on familiar works such as the paintings
of Salvador Dali, and relatively neglected ones like Breton's
poemes-objets, this book recuperates the gap between theory and
practice as a productive space in which it is possible to
recontextualize surrealist practice as an engagement with political
questions on its own terms.
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