Recent interest in who Shakespeare's Muse may have been prompts
one to come forth to dispel the drastically simplistic notions that
have been brought forward. In this essay John O'Meara suggests
where our concern with Shakespeare should actually lie or what form
of Muse we can suppose it was that commanded his development the
way it did.
Shakespeare was fated for a certain experience from which he
could not extricate himself, even if he had wished to. Highlighted
is his struggle with Martin Luther's injunction to imagine human
depravity to the fullest, with which O'Meara compares the route
travelled by Christopher Marlowe. The challenge was laid down to
Shakespeare to imagine the worst of human tragedy, which finally
focuses for him in the precipitated death of the loved one.
But it testifies to the enduring power of Shakespeare's Muse
that She has 'borne' this death with him.
"I find myself very much in sympathy with your general
approach."
-Stanley Wells, general editor of The Oxford Shakespeare and
formerly Director of The Shakespeare Institute,
Stratford-Upon-Avon, England
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