O Meara s work is the perfect supplement to Ted] Hughes s
Shakespeare and the Goddess of Complete Being, shedding further
illumination into those areas where Hughes s penetrating lens
finally appears to dim. This work] shines utterly clear light on
the path of understanding we may re-win with regard to myth,
forcing the reader to face the incredible starkness of the prospect
we face and the lack of options ever closing in and also giving the
reader the necessary clues to follow, particularly Barfield,
Shakespeare and Rudolf Steiner. Richard Ramsbotham, author of "Who
Wrote Bacon? William Shakespeare, Francis Bacon and James I"
Very interesting stuff. Particularly where you parallel the
break through the tragic dead end to the transcendental-redemptive
solution--that I follow from Macbeth through Lear to the last
plays--with the Steinerian view of the same progress. Ted Hughes on
"Othello s Sacrifice," Letter to John O Meara, 21 November, 1996,
in the Ted Hughes Archives, Emory University, Atlanta, Georgia
This volume brings together virtually all of the published
shorter critical work of John O Meara, gathered from over 30 years
of production. What emerges is an extensive, uniquely challenging
interpretation of the evolution of, for the most part, English
literary history, from Shakespeare s time to our own.
excellent Shakespearean explorations The idea of Lutheran
depravity without Lutheran grace or Lutheran-Calvinist
justification is very strong and original Anthony Gash, author of
"The Substance of Shadows: Shakespeare s Dialogue with Plato"
O Meara sets out to demonstrate... the essential fact that full
encounter with human depravity was /is] a necessary step in the
attaining of true otherworldly] Imagination. Eric Philips-Oxford,
on "The New School of the Imagination" from the Sektion fur Schone
Wissenschaften, the Goetheanum, "Newsletter," Issue No. 3,
Winter/Spring 2008-2009.
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