Angel Rama (1926-1983) is a major figure in Latin American literary
and cultural studies, but little has been published on his critical
work. In this study, Jose Eduardo Gonzalez focuses on Rama's
response to and appropriation of European critics like Walter
Benjamin, Theodor Adorno, and Georg Lukacs. Gonzalez argues that
Rama realized the inapplicability of many of their theories and
descriptions of cultural modernization to Latin America, and thus
reworked them to produce his own discourse that challenged
prevailing notions of social and cultural modernization.
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