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Dancing in Chains - Narrative and Memory in Political Theory (Paperback)
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Dancing in Chains - Narrative and Memory in Political Theory (Paperback)
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Philosophy is often depicted as generically distinct from
literature, myth, and history, as a discipline that eschews
narration and relies exclusively on abstract reason. This book
takes issue with that assumption, arguing instead that political
philosophers have commonly presented their readers with a
narrative, rather than a logic, of politics.
The book maintains that philosophical texts frequently persuade
through the creation of a "role" that they invite their audience to
inhabit. Political theory is most powerful not when it erects
timeless principles, but when it alters readers' understanding of
their own past and future. By this the author means that a
theorist's account of history or of time itself is in many
instances the center of (and not merely an addendum to) an account
of human nature and politics; political theory seeks not so much to
reform our morals as to reshape our memories.
This book investigates the place of narrative in politics in two
ways. It offers a hypothesis of a broad connection between
political identity and narrative, and it analyzes three major
figures in the history of political thought--Locke, Hegel, and
Nietzsche--to demonstrate that their work is best understood
through the hypothesis. The author argues that each of these
philosophers rewrites the past in an attempt to direct the future.
For Locke, this involves replacing the patriarchal history of
kingly authority with a more naturalistic past grounded in episodes
of consent--an act that he believes will replace a tyrannical
future with a free one. In contrast, Hegel's approach to the past
is aesthetic, and each epoch of history is understood as a work of
art. Despite the romantic overtones of this view, the frozenness of
these images results, for Hegel, in a weakly imagined future.
Nietzsche's narrative is at once the most open and the most
gruesome, emphasizing the centrality of violence in human history
but also holding out hope for a redemption of that history in a
particular future. This redemptive approach to the past, the author
argues, is superior to the alternatives in that it supports the
strongest account of human freedom.
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