First published in 1984. The late nineteenth and early twentieth
centuries represent not only era of rapidly changing artistic
methods but a crucial evolution in art criticism. This book gathers
together a wide-range of the criticism that greeted the work of the
Impressionists artists in the English Press. The selected examples
of praise and antagonism reflect the sentiments expressed in the
comments of prominent newspaper and periodical critics. The
selection shows the importance of Impressionist art to English art
criticism and wide comprehension of the formal qualities in
painting. It also demonstrates how forward-looking critics created
new criteria for the discussion of modern painting.
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