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Women, Art, and Architecture in Northern Italy, 1520-1580 - Negotiating Power (Paperback)
Loot Price: R1,336
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Women, Art, and Architecture in Northern Italy, 1520-1580 - Negotiating Power (Paperback)
Series: Women and Gender in the Early Modern World
Expected to ship within 12 - 17 working days
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Expanding interdisciplinary investigations into gender and material
culture, Katherine A. McIver here adds a new dimension to
Renaissance patronage studies by considering domestic art - the
decoration of the domestic interior - as opposed to patronage of
the fine arts (painting, sculpture and architecture). Taking a
multidimensional approach, McIver looks at women as collectors of
precious material goods, as organizers of the early modern home,
and as decorators of its interior. By analyzing the inventories of
women's possessions, McIver considers the wide range of domestic
objects that women owned, such as painted and inlaid chests,
painted wall panels, tapestries, fine fabrics for wall and bed
hangings, and elaborate jewelry (pendant earrings, brooches,
garlands for the hair, necklaces and rings) as well as personal
devotional objects. Considering all forms of patronage
opportunities open to women, she evaluates their role in
commissioning and utilizing works of art and architecture as a
means of negotiating power in the court setting, in the process
offering fresh insights into their lives, limitations, and the
possibilities open to them as patrons. Using her subjects'
financial records to track their sources of income and the
circumstances under which it was spent, McIver thereby also
provides insights into issues of Renaissance women's economic
rights and responsibilities. The primary focus on the lives and
patronage patterns of three relatively unknown women, Laura
Pallavicina-Sanvitale, Giacoma Pallavicina and Camilla Pallavicina,
provides a new model for understanding what women bought,
displayed, collected and commissioned. By moving beyond the
traditional artistic centers of Florence, Venice and Rome,
analyzing instead women's artistic patronage in the feudal courts
around Parma and Piacenza during the sixteenth century, McIver
nuances our understanding of women's position and power both in and
out of the home. Carefully integrating extensive archival
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