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Kingdom of Beauty - Mingei and the Politics of Folk Art in Imperial Japan (Paperback)
Loot Price: R963
Discovery Miles 9 630
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Kingdom of Beauty - Mingei and the Politics of Folk Art in Imperial Japan (Paperback)
Series: Asia-Pacific: Culture, Politics, and Society
Expected to ship within 10 - 15 working days
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A Study of the Weatherhead East Asian Institute, Columbia
University Kingdom of Beauty shows that the discovery of mingei
(folk art) by Japanese intellectuals in the 1920s and 1930s was
central to the complex process by which Japan became both a modern
nation and an imperial world power. Kim Brandt's account of the
mingei movement locates its origins in colonial Korea, where
middle-class Japanese artists and collectors discovered that
imperialism offered them special opportunities to amass art objects
and gain social, cultural, and even political influence. Later,
mingei enthusiasts worked with (and against) other groups-such as
state officials, fascist ideologues, rival folk art organizations,
local artisans, newspaper and magazine editors, and department
store managers-to promote their own vision of beautiful prosperity
for Japan, Asia, and indeed the world. In tracing the history of
mingei activism, Brandt considers not only Yanagi Muneyoshi, Hamada
Shoji, Kawai Kanjiro, and other well-known leaders of the folk art
movement but also the often overlooked networks of provincial
intellectuals, craftspeople, marketers, and shoppers who were just
as important to its success. The result of their collective
efforts, she makes clear, was the transformation of a once-obscure
category of pre-industrial rural artifacts into an icon of modern
national style.
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