On the southern end of the Grand Rue, a major thoroughfare that
runs through the center of Port-au-Prince, waits the Haitian
capital's automobile repair district. This veritable junkyard of
steel and rubber, recycled parts, old tires, and scrap metal might
seem an unlikely foundry for art. Yet, on the street's opposite end
thrives the Grand Rue Galerie, a working studio of assembled art
and sculptures wrought from the refuse. Established by artists
Andre Eugene and Celeur in the late 1990s, the Grand Rue's urban
environmental aesthetics-defined by motifs of machinic urbanism,
Vodou bricolage, the postprimitivist altermodern, and performative
politics-radically challenge ideas about consumption, waste, and
environmental hazards, as well as consider innovative solutions to
these problems in the midst of poverty, insufficient social
welfare, lack of access to arts, education, and basic needs. In
Riding with Death, Jana Braziel explores the urban environmental
aesthetics of the Grand Rue Sculptors and the beautifully
constructed sculptures they have designed from salvaged automobile
parts, rubber tires, carved wood, and other recycled
materials.Through first-person accounts and fieldwork, Braziel
constructs an urban ecological framework for understanding these
sculptures amid environmental degradation and grinding poverty.
Influenced by urban geographers, art historians, and political
theorists, the book regards the underdeveloped cities of the Global
South as alternate spaces for challenging the profit-driven
machinations of global capitalism. Above all, Braziel presents
Haitian artists who live on the most challenged Caribbean island,
yet who thrive as creators reinventing refuse as art and resisting
the abjection of their circumstances.
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