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Decomposed - The Political Ecology of Music (Paperback)
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Decomposed - The Political Ecology of Music (Paperback)
Series: The MIT Press
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The hidden material histories of music. Music is seen as the most
immaterial of the arts, and recorded music as a progress of
dematerialization-an evolution from physical discs to invisible
digits. In Decomposed, Kyle Devine offers another perspective. He
shows that recorded music has always been a significant exploiter
of both natural and human resources, and that its reliance on these
resources is more problematic today than ever before. Devine
uncovers the hidden history of recorded music-what recordings are
made of and what happens to them when they are disposed of.
Devine's story focuses on three forms of materiality. Before 1950,
78 rpm records were made of shellac, a bug-based resin. Between
1950 and 2000, formats such as LPs, cassettes, and CDs were all
made of petroleum-based plastic. Today, recordings exist as
data-based audio files. Devine describes the people who harvest and
process these materials, from women and children in the Global
South to scientists and industrialists in the Global North. He
reminds us that vinyl records are oil products, and that the
so-called vinyl revival is part of petrocapitalism. The supposed
immateriality of music as data is belied by the energy required to
power the internet and the devices required to access music online.
We tend to think of the recordings we buy as finished products.
Devine offers an essential backstory. He reveals how a range of
apparently peripheral people and processes are actually central to
what music is, how it works, and why it matters.
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