How can the most silent member of the family carry the message
of subversion against venerated institutions of state and society?
Why would two playwrights, writing 300 years apart, employ the same
dramatic methods for rebelling against the establishment, when
these methods are virtually ignored by their contemporaries? This
book considers these and similar questions. It examines the
historical similarities of the eras in which Shakespeare and Shaw
wrote and then explores types of father-daughter interactions,
considering each in terms of the existing power structures of
society.
These two dramatists draw on themes of incest, daughter
sacrifice, role playing, education, and androgyny to create both
active and passive daughters. The daughters literally represent a
challenge to the patriarchy and metaphorically extend that
challenge to such institutions as church and state. The volume
argues that the father-daughter relationship was the ideal dramatic
vehicle for Shakespeare and Shaw to advance their social and
political agendas. By exploring larger issues through the
father-daughter relationship, both playwrights were able to avoid
the watchful eyes of censors and comment on such topics as the
divine right of kings, filial bonds of obedience, and even
regicide.
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