In this cutting edge volume, Wallace identifies a unique trend
in post-Production Code films that deal with lesbian content:
stories of lesbianism invariably engage with an apartment setting,
a spatial motif not typically associated with lesbian history or
cultural representation. Through the formal analysis of five
lesbian apartment films, Wallace demonstrates how the standard
repertoire of visual techniques and spatial devices (the elements
of mise-en-scene, favoured locations and sets, classical systems of
editing, and the implied story world itself) are used to scaffold
female sexual visibility. With its sustained focus on the filmic
syntax surrounding lesbian representation on screen in the
post-Production Code era, the book comprises an original
contribution to queer film studies. In addition, Wallace also
deploys its discussion of lesbianism and cinematic space to
critique a number of tendencies in contemporary social theory,
particularly the theoretical identification of public sex cultures
as the basis for a queer counterpublic sphere.
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