What does it mean to be a westerner? With all the mythology that
has grown up about the American West, is it even possible to
describe "how it was, how it is, here, in the West--just that," in
the words of Lynn Stegner? Starting with that challenge, Stegner
and Russell Rowland invited several dozen members of the western
literary tribe to write about living in the West and being a
western writer in particular. West of 98 gathers sixty-six literary
testimonies, in essays and poetry, from a stellar collection of
writers who represent every state west of the 98th parallel--a kind
of Greek chorus of the most prominent voices in western literature
today, who seek to "characterize the West as each of us grew to
know it, and, equally important, the West that is still
becoming."
In West of 98, western writers speak to the ways in which the
West imprints itself on the people who live there, as well as how
the people of the West create the personality of the region. The
writers explore the western landscape--how it has been revered and
abused across centuries--and the inescapable limitations its
aridity puts on all dreams of conquest and development. They
dismantle the boosterism of manifest destiny and the cowboy and
mountain man ethos of every-man-for-himself, and show instead how
we must create new narratives of cooperation if we are to survive
in this spare and beautiful country. The writers seek to define the
essence of both actual and metaphoric wilderness as they journey
toward a West that might honestly be called home.
A collective declaration not of our independence but of our
interdependence with the land and with each other, West of 98 opens
up a whole new panorama of the western experience.
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