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W. Barns-Graham: A Studio Life (Paperback, 2nd Revised edition)
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W. Barns-Graham: A Studio Life (Paperback, 2nd Revised edition)
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British abstract painter Wilhelmina Barns-Graham (1912-2004) played
a key role in the development of modern abstract art in Britain.
This new paperback edition of Lynne Green's classic monograph
completes the story of the artist's life and work with a new Coda
covering Barns-Graham's final years, which draws for the first time
on the artist's personal diaries and notebooks. Born in Fife,
Scotland, for over sixty years Barns-Graham lived and worked in St
Ives, at the heart of the avant-garde group of artists who made the
town internationally famous. Arriving in Cornwall just months after
the modernists Ben Nicholson, Barbara Hepworth and Naum Gabo,
Barns-Graham was quickly absorbed into their inner circle. She was
subsequently one of the Crypt Group of young moderns, and a founder
member of the breakaway Penwith Society of Arts. In what is an
important contribution to the history of British art, Lynne Green
examines the importance of Barns-Graham's national tradition and of
her teachers at Edinburgh School of Art, particularly the Scottish
Colourists William Gillies and John Maxwell. Barns-Graham's
developing commitment to abstraction is discussed in detail: never
afraid to experiment, her work is revealed as embodying many of the
issues central to post-war abstract art. Barns-Graham continued to
work right up to her death with the energy and enthusiasm usually
associated with the young. Towards the end of her life her art
started to attract the attention it deserved, but this was not
always the case. Lynne Green's insightful text restores Wilhelmina
Barns-Graham to her rightful place in the story of the St Ives
School, establishes her personal achievement as a painter, and by
implication the importance of her wider contribution to
twentieth-century art. Since her death at the age of 91
Barns-Graham's work has enjoyed an increase in attention, not least
in the auction rooms. It has also and most importantly, been the
subject of re-appraisal through a series of exhibitions and
publications. This book remains, however, the only in-depth
biographical study of an artist who, despite often being unjustly
overlooked, had the courage and determination to pursue her own
path, and with spectacular and breathtaking success. In the last
decade of her life Barns-Graham's creative invention blossomed and
her output dramatically increased, not least because of her
enthusiastic adoption of cutting-edge contemporary screenprinting
techniques. In these years she worked with a new sense of urgency
and creative freedom, in which risk-taking became a central theme.
The result was some of the most exhilarating, joyful, and
life-affirming work ever produced by a British artist.
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