This book envisions the confines of medieval manuscripts as the
potential territory of many virtual worlds: realms that readers
call forth through their imaginative interactions with a book's
material features. Each component of a medieval manuscript--its
alphabetical characters, pages, images, text, gloss--offers an
avenue of involvement with the world of books, and with the worlds
"in" books. The explorations presented here follow those paths in a
selection of manuscripts and texts produced in late-medieval
Britain, tracing the fortunes of characters who become subject to
and sometimes subjects in the very books the read and write.
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