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Sculptors Against the State - Anarchism and the Anglo-European Avant-Garde (Paperback)
Loot Price: R1,132
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Sculptors Against the State - Anarchism and the Anglo-European Avant-Garde (Paperback)
Series: Refiguring Modernism
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Sculptors Against the State considers the relation of anarchist
ideology to avant-garde sculpture through an examination of three
iconic artists whose work transformed European modernism: Umberto
Boccioni, Jacob Epstein, and Henri Gaudier-Brzeska. Addressing such
complex subjects as sexual liberation, homosexuality, the history
of emotions, the ethics of violence, and tactics of nonviolent
resistance, Mark Antliff demonstrates how sculptural processes were
shaped by forms of anarchism calculated to foster a radical
community. The anarchist view that the State is a state of mind and
a set of social relationships is a central theme Antliff uses to
explore not only the art of Boccioni, Epstein, and Gaudier-Brzeska
but the associated aesthetics of radical luminaries such as Oscar
Wilde, F. T. Marinetti, and Ezra Pound. Taking Boccioni’s Unique
Forms of Continuity in Space, Epstein’s Tomb of Oscar Wilde, and
Gaudier-Brzeska’s Hieratic Head of Ezra Pound as a starting
point, Antliff argues that these sculptors saw the arts as a
radical catalyst for an entirely new constellation of interpersonal
relations and psychological dispositions—ones antithetical to
those propagated by the State. Powerfully argued and informed by
extensive archival research, Sculptors Against the State provides a
new understanding of these artists, even as it sheds light on why
contemporary anarchist theory is necessary for understanding the
profound cultural impact modernism had during the twentieth
century. Antliff’s work will be of interest to students and
scholars of modernist art and literature, and particularly those
who study the intersections between artistic practice and politics.
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