Cinema has been undergoing a profound technological shift:
celluloid film is being replaced by digital media in the
production, distribution, and reception of moving images. Concerned
with the debate surrounding digital cinema's ontology and the
interrelationship between cinema cultures, "From Light to Byte"
investigates the very idea of change as it is expressed in the
current technological transition. Markos Hadjioannou asks what is
different in the way digital movies depict the world and engage
with the individual and how we might best address the issue of
technological shift within media archaeologies.
Hadjioannou turns to the technical basis of the image as his
first point of departure, considering the creative and perceptual
activities of moviemakers and viewers. Grounded in film history,
film theory, and philosophy, he explores how the digital configures
its engagement with reality and the individual while simultaneously
replaying and destabilizing celluloid's own structures. He observes
that, where film's photographic foundation encourages an
existential association between individual and reality, digital
representations are graphic renditions of mathematical codes whose
causal relations are more difficult to trace.
Throughout this work Hadjioannou examines how the two
technologies set themselves up with reference to reality,
physicality, spatiality, and temporality, and he concludes that the
question concerning digital cinema is ultimately one of ethical
implications--a question, that is, of the individual's ability to
respond to the image of the world.
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