What is the underlying conception of human nature that informs
Richard Wagner s operatic reforms? This study locates the answer to
this question in the Romantic notion of the unconscious. Wagner
grappled with the unconscious in his libretti, scores, and
writings, thereby creating a seminal new form of musical theater.
With its examination of the ways that anthropological phenomena
such as identity and memory are interlaced with theater history,
this book presents an interdisciplinary approach that casts new
light on the works of Richard Wagner."
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