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'Tinkers' - Synge and the Cultural History of the Irish Traveller (Hardcover, New)
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'Tinkers' - Synge and the Cultural History of the Irish Traveller (Hardcover, New)
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The history of Irish Travellers is not analogous to that of the
'tinker', a Europe-wide underworld fantasy created by
sixteenth-century British and continental Rogue Literature that
came to be seen as an Irish character alone as English became
dominant in Ireland. By the Revival, the tinker represented
bohemian, pre-Celtic aboriginality, functioning as the cultural
nationalist counter to the Victorian Gypsy mania. Long
misunderstood as a portrayal of actual Travellers, J.M. Synge's
influential The Tinker's Wedding was pivotal to this 'Irishing' of
the tinker, even as it acknowledged that figure's cosmopolitan
textual roots. Synge's empathetic depiction is closely examined, as
are the many subsequent representations that looked to him as a
model to subvert or emulate. In contrast to their Revival-era
romanticization, post-independence writing portrayed tinkers as
alien interlopers, while contemporaneous Unionists labelled them a
contaminant from the hostile South. However, after Travellers
politicized in the 1960s, more even-handed depictions heralded a
querying of the 'tinker' fantasy that has shaped contemporary
screen and literary representations of Travellers and has prompted
Traveller writers to transubstantiate Otherness into the empowering
rhetoric of ethnic difference. Though its Irish equivalent has
oscillated between idealization and demonization, US racial history
facilitates the cinematic figuring of the Irish-American Traveler
as lovable 'white trash' rogue. This process is informed by the
mythology of a population with whom Travelers are allied in the
white American imagination, the Scots-Irish (Ulster-Scots). In
short, the 'tinker' is much more central to Irish, Northern Irish
and even Irish-American identity than is currently recognised.
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