In its retrieval and (re)construction, the past has become
interwoven with the images and structure of cinema. Not only have
mass media-especially film and television-shaped the content of
memories and histories, but they have also shaped their very form.
Combining historicization with close readings of German director
Ernst Lubitsch's historical films, this book focuses on an early
turning point in this development, exploring how the medium of film
shaped modern historical experience and understanding-how it moved
embodied audiences through moving images.
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