Thomas Mann is regarded as the best-known representative of modern
German literature. This exceptional status is the result of very
conscious work on his own profile. How did Thomas Mann manage to
achieve this status as the representative of German literature?
Which categories did he use to reflect on his role as a writer? And
which alliances or conflicts determined the perception he had of
himself and others had of him? What was the part played by his
publishers, by German scholars and journalists in the augmentation
of his fame? The answers to these questions show how Thomas Mann
and both his patrons and his rivals worked to invent him as a
writer. They open a new perspective on Thomas Mann and his work.
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