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Imitation and Creativity in Japanese Arts - From Kishida Ryusei to Miyazaki Hayao (Hardcover)
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Imitation and Creativity in Japanese Arts - From Kishida Ryusei to Miyazaki Hayao (Hardcover)
Series: Asia Perspectives: History, Society, and Culture
Expected to ship within 12 - 17 working days
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The idea that Japanese art is produced through rote copy and
imitation is an eighteenth-century colonial construct, with roots
in Romantic ideals of originality. Offering a much-needed
corrective to this critique, Michael Lucken demonstrates the
distinct character of Japanese mimesis and its dynamic impact on
global culture, showing through several twentieth-century
masterpieces the generative and regenerative power of Japanese
arts. Choosing a representative work from each of four modern
genres-painting, film, photography, and animation-Lucken portrays
the range of strategies that Japanese artists use to re-present
contemporary influences. He examines Kishida Ryusei's portraits of
Reiko (1914-1929), Kurosawa Akira's Ikiru (1952), Araki Nobuyoshi's
photographic novel Sentimental Journey-Winter (1991), and Miyazaki
Hayao's popular anime film Spirited Away (2001), revealing the
sophisticated patterns of mimesis that are unique but not exclusive
to modern Japanese art. In doing so, Lucken identifies the tensions
that drive the Japanese imagination, which are much richer than a
simple opposition between progress and tradition, and their
reflection of human culture's universal encounter with change. This
global perspective explains why, despite its non-Western origins,
Japanese art has earned such a vast following.
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