Charlotte Salomon was born in Berlin in 1917 and was murdered at
Auschwitz at the age of twenty-six. While in exile in the south of
France from 1940 until her deportation in 1943, she created some
1,325 small gouaches using only the three primary colors plus
white. From these she gathered nearly 800 into a work that she
titled Life? or Theater?: A Play with Music, which employs images,
texts, and musical and cinematic references. The narrative,
informed by Salomon's experiences as a talented, cultured, and
assimilated German Jew, depicts a life lived in the shadow of Nazi
persecution and a family history of suicide, but also reveals
moments of intense happiness and hope. The tone of the gouaches
becomes increasingly raw and urgent as Salomon is further enmeshed
in grim personal as well as political events. The result is a
deeply moving meditation on life, art, and death on the eve of the
Holocaust.
Salomon's art, discovered after the war in the south of France
where she had left it for safekeeping, was first exhibited in 1961
and has gained steadily in reputation since then. A major
exhibition focused on Life? or Theater? appeared at the Royal
Academy of Arts in London in 1998, subsequently at the Art Gallery
of Ontario in Toronto; the Museum of Fine Arts, Boston; and the
Jewish Museum in New York City. This book, lavishly illustrated
with many color plates, is the first to analyze Salomon's work
critically, historically, and aesthetically. It includes a
chronology of Salomon's life and a list of exhibitions of Life? or
Theater? Featuring contributions from prominent art historians,
literary and cultural critics, and historians, Reading Charlotte
Salomon celebrates the genius and courage of a remarkable figure in
twentieth-century art.
Contributors: Mieke Bal, University of Amsterdam; Monica
Bohm-Duchen, independent art historian, London; Darcy Buerkle,
Smith College; Christine Conley, University of Ottawa; Mary
Felstiner, San Francisco State University; Reesa Greenberg,
Concordia University and York University; Shelley Hornstein, York
University; Griselda Pollock, University of Leeds; Nanette Salomon,
The College of Staten Island/CUNY; Astrid Schmetterling, University
of London; Michael P. Steinberg, Cornell University; Edward Timms,
University of Sussex; Ernst van Alphen, University of California,
Berkeley, and Leiden University
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