"Ambitious Form" describes the transformation of Italian
sculpture during the neglected half century between the death of
Michelangelo and the rise of Bernini. The book follows the
Florentine careers of three major sculptors--Giambologna,
Bartolomeo Ammanati, and Vincenzo Danti--as they negotiated the
politics of the Medici court and eyed one another's work, setting
new aims for their art in the process. Only through a comparative
look at Giambologna and his contemporaries, it argues, can we
understand them individually--or understand the period in which
they worked.
Michael Cole shows how the concerns of central Italian artists
changed during the last decades of the Cinquecento. Whereas their
predecessors had focused on specific objects and on the
particularities of materials, late sixteenth-century sculptors
turned their attention to models and design. The iconic figure gave
way to the pose, individualized characters to abstractions. Above
all, the multiplicity of master crafts that had once divided
sculptors into those who fashioned gold or bronze or stone yielded
to a more unifying aspiration, as nearly every ambitious sculptor,
whatever his training, strove to become an architect.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!