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A Dubious Codicil (Paperback, Main)
Loot Price: R507
Discovery Miles 5 070
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A Dubious Codicil (Paperback, Main)
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Loot Price R507
Discovery Miles 5 070
Expected to ship within 12 - 17 working days
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Michael Wharton, of course, was Peter Simple of the Daily
Telegraph. A Dubious Codicil is the second and more rare volume of
his autobiography. It takes up his story in 1957 when the author
first started working for the Daily Telegraph where he remained for
thirty-three years writing the Way of the World column. He soon
established a name as the funniest and most mordant columnist in
Britain, combining splendid comic characters, for example, Mrs
Dutt-Pauker the Hampstead thinker and Julian Birdbath the depressed
man of letters, with philippics on the evils of the age, from
television and mass tourism to flights to the moon and almost any
activity involving scientists and men in white coats. And yet, by a
pleasing paradox, his dislike of the permissive society did not
prevent him from leading an unconventional life which, as he
gleefully points out, might have shocked more hidebound
journalists, dutifully making their way to suburban homes while the
arch-eccentrics of the Telegraph gathered in Fleet Street's Kings
and Keys. Their world and their highly unorthodox behaviour are
vividly brought to life. But this bohemian existence was troubled,
in Michael Wharton's case, by a growing sense of futility and time
passing. Temporary salvation, at least, lay to hand in his beloved
Westmorland where, with congenial local companions, he helped to
save the Eden Valley from the onslaught of developers. A Missing
Will, the first volume of his autobiography, is also available in
Faber Finds. '. . . .Yet the book is quite fascinating to read . .
. It is partly the fascination of following a well-known and
well-loved character through this vales of tears - however much he
may suppose he has hidden himself behind the personality of Peter
Simple, however unknown and unloved he may imagine himself to be,
there can be few readers of Peter Simple who will not ''identify''
with him. It is also partly the high interest of watching a giant
among familiar contemporary scenes, as if Shakespeare had emerged
in the garb of Mr Pooter.' Auberon Waugh, Sunday Telegraph
General
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