A Western Marxist reading of contemporary art, focusing on the
question of the continued presence (or absence) of the
avant-garde's transgressive impulse. Taking art's ability to
contribute to radical social transformation as its point of
departure, Mikkel Bolt Rasmussen's new title from Zero Books
analyses the relationship between the current neoliberal hegemony
and contemporary art, including relational aesthetics and
interventionist art, new institutionalism and post-modern
architecture. '...a trenchant critique of neoliberal domination of
contemporary art.' Gene Ray, author of Terror and the Sublime in
Art and Critical Theory
General
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