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Samuel Taylor Coleridge and the Fine Arts (Hardcover)
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Samuel Taylor Coleridge and the Fine Arts (Hardcover)
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Although Coleridge's thinking and writing about the fine arts was
both considerable and interesting, this has not been the subject of
a book before.
Coleridge owed his initiation into art to Sir George Beaumont. In
1803-4 he had frequent opportunities to learn from Beaumont, to
study Beaumont's small but elegant collection and to visit private
collections. Before leaving for Malta in April 1804, Coleridge
wrote "I have learnt as much fr[om] Sir George Beaumont respecting
Pictures & Painting and Paint[ers as] I ever learnt on any
subject from any man in the same Space of Time."
In Italy in 1806, Coleridge's experience of art deepened, thanks
to the American artist Washington Allston, who taught him to see
the artistic sights of Rome with a painter's eye. Coleridge also
visited Florence and Pisa, and later said of the frescoes in Pisa's
Camp Santo: "The impression was greater, I may say, than that any
poem ever made upon me."
Back in England, Coleridge visited London exhibitions, country
house collections, and even artists' studios. In 1814, both
Coleridge and Allston were in Bristol--Coleridge lecturing, Allston
exhibiting. Coleridge's "On the Principles of Genial Criticism"
began as a defense of Allston's paintings but became a statement
about all the arts.
This book, an important contribution to Coleridge's intellectual
biography, will make readers aware of a dimension of his thinking
that has been largely ignored until now.
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