Combining cognitive and evolutionary research with traditional
humanist methods, Nancy Easterlin demonstrates how a biocultural
perspective in theory and criticism opens up new possibilities for
literary interpretation.
Easterlin maintains that the practice of literary interpretation
is still of central intellectual and social value. Taking an open
yet judicious approach, she argues, however, that literary
interpretation stands to gain dramatically from a fair-minded and
creative application of cognitive and evolutionary research. This
work does just that, expounding a biocultural method that charts a
middle course between overly reductive approaches to literature and
traditionalists who see the sciences as a threat to the
humanities.
Easterlin develops her biocultural method by comparing it to
four major subfields within literary studies: new historicism,
ecocriticism, cognitive approaches, and evolutionary approaches.
After a thorough review of each subfield, she reconsiders them in
light of relevant research in cognitive and evolutionary psychology
and provides a textual analysis of literary works from the romantic
era to the present, including William Wordsworth's "Simon Lee" and
the Lucy poems, Mary Robinson's "Old Barnard," Samuel Taylor
Coleridge's "Dejection: An Ode," D. H. Lawrence's "The Fox," Jean
Rhys's "Wide Sargasso Sea," and Raymond Carver's "I Could See the
Smallest Things."
"A Biocultural Approach to Literary Theory and Interpretation"
offers a fresh and reasoned approach to literary studies that at
once preserves the central importance that interpretation plays in
the humanities and embraces the exciting developments of the
cognitive sciences.
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