The study concerns itself with the KA1/4nstlerdrama [Drama of the
artist], a genre with which research in literary and drama studies
has so far scarcely concerned itself, despite its popularity. The
study first examines as exemplars theatrical texts by Gerhart
Hauptmann, Bertolt Brecht, Wolfgang Bauer, Thomas Bernhard, Falk
Richter and others both with reference to the texts and from the
perspective of field theory. The study then presents an historical
overview of the genesis of the genre and the central motifs of the
20th century KA1/4nstlerdrama.
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