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The Ethics of Aesthetics in Japanese Cinema and Literature - Polygraphic Desire (Hardcover)
Loot Price: R4,594
Discovery Miles 45 940
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The Ethics of Aesthetics in Japanese Cinema and Literature - Polygraphic Desire (Hardcover)
Series: Routledge Contemporary Japan Series
Expected to ship within 12 - 17 working days
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Total price: R4,614
Discovery Miles: 46 140
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"The Ethics of Aesthetics in Japanese Cinema and Literature" is a
study of the ethics of modern Japanese aesthetics from the 1930s,
through WWII and into the postwar period. What makes this book
unique is that Nina Cornyetz opens up the field in new and
controversial ways by exploring the tensions and harmonies between
psychoanalytic ethics of the drive and socio-political ethics of
relation to the other. Rejecting the convention of viewing these as
contradictory, Cornyetz insists that the exemplars of
psychoanalytic ethics are to the contrary, simultaneously
politically ethical. Cornyetz embarks on innovative and
unprecedented readings of some of the most significant literary and
film texts of the Japanese canon, including works by Kawabata
Yasunari, Mishima Yukio, Abe Kobo and Shinoda Masahiro, all
renowned for their texts' aesthetic and philosophic brilliance. The
study looks at how relations between individuals and communities in
these texts either reiterate or transcend stereotypes, and how
desire is or is not limited by sociocultural norms. Cornyetz argues
that these authors' and filmmakers' concepts of beauty and relation
to others were, in fact, deeply impacted by political and social
factors. Ranging from a discussion of fascist aesthetics to
heterosexism in modern Japan, "The Ethics of Aesthetics in Japanese
Cinema and Literature" shows how certain changing political,
intellectual and artistic issues, as well as sociocultural norms,
variously nuanced these texts' depictions of desire and the
'other'. Through her analysis of cultural texts such as the films
"Woman in the Dunes" and "Double Suicide," Cornyetz challenges the
convention that praises the universality of theirartistic,
existential or intellectual achievements. Rather she seeks to
reorient these within a specifically Japanese historical context to
give a new and insightful interpretation to the work. This ground
breaking study is truly interdisciplinary and will appeal to
students and scholars of Japanese literature, film, gender,
culture, history and even psychoanalytic theory.
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