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The Vertical Imagination and the Crisis of Transatlantic Modernism (Hardcover)
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The Vertical Imagination and the Crisis of Transatlantic Modernism (Hardcover)
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From the invention of skyscrapers and airplanes to the development
of the nuclear bomb, ideas about the modern increasingly revolved
around vertiginous images of elevation and decline and new
technologies of mobility and terror from above. In The Vertical
Imagination and the Crisis of Transatlantic Modernism, Paul Haacke
examines this turn by focusing on discourses of aspiration,
catastrophe, and power in major works of European and American
literature as well as film, architecture, and intellectual and
cultural history. This wide-ranging and pointed study begins with
canonical fiction by Franz Kafka, Virginia Woolf, James Joyce, and
John Dos Passos, as well as poetry by Guillaume Apollinaire, Hart
Crane, and Aime Cesaire, before moving to critical reflections on
the rise of New York City by architects and writers from Le
Corbusier to Simone de Beauvoir, the films of Alfred Hitchcock and
theories of cinematic space and time, and postwar novels by Kurt
Vonnegut, Thomas Pynchon, and Leslie Marmon Silko, among many other
examples. In tracing the rise and fall of modernist discourse over
the course of the long twentieth century, this book shows how
visions of vertical ascension turned from established ideas about
nature, the body, and religion to growing anxieties about aesthetic
distinction, technological advancement, and American capitalism and
empire. It argues that spectacles of height and flight became
symbols and icons of ambition as well as direct indexes of power,
and thus that the vertical transformation of modernity was both
material and imagined, taking place at the same time through the
rapidly expanding built environment and shifting ideological
constructions of "high" and "low."
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