Selected from papers given at the third biennial conference on
Music in Nineteenth-Century Britain, this volume, in common with
its two predecessors, reflects the interdisciplinary character of
the topic. The introductory essay by Julian Rushton foregrounds
some of the questions that are key to this area of study: what is
the nineteenth century? what is British music? and did London
influence the continent? The essays which follow are divided into
broad thematic groups covering aspects of gender, church music,
national identity, and local and national institutions. This
collection illustrates that while nineteenth-century British music
studies is still in its infancy as a field of research, it is one
that is burgeoning and contributing to our understanding of British
social and cultural life of the period.
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