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Public Images, Private Readings: Multi-Perspective Approaches to the Post-Palaeolithic Rock Art - Proceedings of the XVII UISPP World Congress (1-7 September 2014, Burgos, Spain) Volume 5 / Session A11e (Paperback)
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Public Images, Private Readings: Multi-Perspective Approaches to the Post-Palaeolithic Rock Art - Proceedings of the XVII UISPP World Congress (1-7 September 2014, Burgos, Spain) Volume 5 / Session A11e (Paperback)
Series: Proceedings of the UISPP World Congress
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A significant number of Holocene societies throughout the world
have resorted at one time or another to the making of paints or
carvings on different places (tombs, rock-shelters or caves,
openair outcrops). The aim of the session A11e. Public images,
private readings: multi-perspective approaches to the
post-Palaeolithic rock art, which was held within the XVII World
UISPP Congress (Burgos, September 1-7 2014), was to put together
the experiences of specialists from different areas of the Iberian
Peninsula and the World. The approaches ranged from the
archaeological definition of the artistic phenomena and their
socioeconomic background to those concerning themselves with the
symbolic and ritual nature of those practices, including the
definition of the audience to which the graphic manifestations were
addressed and the potential role of the latter in the making up of
social identities and the enforcement of territorial claims. More
empirical issues, such as new recording methodologies and data
management or even dating were also considered during this session.
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