Along the Atlantic seaboard, from Scotland to Spain, are numerous
rock carvings made four to five thousand years ago, whose
interpretation poses a major challenge to the archaeologist.
Richard Bradley discusses the cultural settings of the rock
carvings, the ways in which they can be interpreted in relation to
ancient land use, the creation of ritual monuments and the burial
of the dead. Integrating this fascinating yet little-known material
into the mainstream of prehistoric studies, IRock Art and the
Prehistory of Atlantic Europe demonstrates that these carvings
played a fundamental role inthe organization of the prehistoric
landscape.
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