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Textures of Mourning - Calligraphy, Mortality, and The Tale of Genji Scrolls (Hardcover)
Loot Price: R2,565
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Textures of Mourning - Calligraphy, Mortality, and The Tale of Genji Scrolls (Hardcover)
Series: Michigan Monograph Series in Japanese Studies
Expected to ship within 12 - 17 working days
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How does mourning emerge to reshape Japanese visual culture?
Textures of Mourning addresses this question by examining
engrossing literary and visual portrayals of death and its
aftermath from The Tale of Genji and its adaptations. Contending
that the work of mourning unfolds through interwoven practices of
reading, writing, painting, and public exhibition, Reginald Jackson
charts how mourning spurs artistic composition, triggers visceral
responses, and seduces spectators in both premodern and
contemporary Japan. Textures of Mourning delineates the intimate
relationship between mourning and reading at three historical
tipping points: the height of imperial power in the early eleventh
century, when the literary masterwork The Tale of Genji (1008) was
written; the collapse of imperial hegemony in the late-twelfth
century, when Genji's most famous handscroll adaptation was
composed (1150); and the post-bubble recessionary context in which
those handscrolls were refashioned as the "Resurrected Genji
Handscrolls" (2006). As material objects wrought at comparable
moments of social upheaval, these texts become vehicles through
which to mourn perished ideals of vitality, prosperity, and
belonging. Textures of Mourning is the first full-length manuscript
in English to investigate these texts' complex relationship across
eras. By analyzing dozens of sumptuous images, the book pursues
mortality's progression over four sections-"Dying," "Decomposing,"
"Mourning," and "Resurrecting"-each of which contextualizes factual
and fictional accounts of reckoning with death to discern the
mechanics of mourning's labor. A major intervention of the book is
to theorize how the riveting opacity, coarse materiality, and
skewed temporality of premodern forms trouble modern regimes of
looking, feeling, and knowing. Drawing upon scholarship in
premodern Japanese literary studies, art history, and performance
studies, the book's innovative trans-disciplinary readings reorient
psychoanalytic criticism and performance theory to map the
fluctuating topography of calligraphic gestures.
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