A collection of fascinating quotations from the legendary artist and graffiti pioneer Futura is a living legend-a world-renowned painter, designer, and photographer who was a pioneer of graffiti art and New York City's "subway school." His radical abstract work in the street and on canvas established him as a central figure in an important art movement that included Jean-Michel Basquiat, Keith Haring, Rammellzee, Lee Quinones, and Dondi White. Futura-isms is a collection of essential quotations from this fascinating artist. Gathered from four decades of interviews and panel discussions, this memorable selection illuminates Futura's influences and thoughts on his fellow artists, legal and illegal art, and the past, present, and future. He also offers colorful memories of his adventurous life-growing up in New York City, serving in the Navy, touring with The Clash-and reflects on how his experiences have shaped his art. Select quotations from the book: "Graffiti was a way for me to exist. I wanted the world to know my name. I wanted to be somebody." "The essence of what graffiti is, is creating this identity and taking it to the public." "My whole life, I think, I've been a nomad." "I was always at home in the subway system." "People say, 'Let's play within the rules.' I say, 'No-let's break the rules a little bit.'"

Essential quotations from renowned artist and pop icon Keith Haring Keith Haring remains one of the most important and celebrated artists of his generation and beyond. Through his signature bold graphic line drawings of figures and forms dancing and grooving, Haring's paintings, large-scale public murals, chalk drawings, and singular graffiti style defined an era and brought awareness to social issues ranging from gay rights and AIDS to drug abuse prevention and a woman's right to choose. Haring-isms is a collection of essential quotations from this creative thinker and legendary artist. Gathered from Haring's journals and interviews, these lively quotes reveal his influences and thoughts on a variety of topics, including birth and death, possibility and uncertainty, and difference and conformity. They demonstrate Haring's deep engagement with subjects outside of the art world and his outspoken commitment to activism. Taken together, this selection reflects Haring's distinctive voice and reminds us why his work continues to resonate with fans around the globe. Select quotations from the book: "Art lives through the imaginations of the people who are seeing it. Without that contact, there is no art." "It's a huge world. There are lots and lots and lots of people that I haven't reached yet that I'd like to reach." "Art is one of the last areas that is totally within the realm of the human individual and can't be copied or done better by a machine." "The artist, if he is a vessel, is also a performer." "No matter how long you work, it's always going to end sometime. And there's always going to be things left undone." "I decided to make a major break. New York was the only place to go." "I came to believe there was no such thing as chance. If you accept that there are no coincidences, you use whatever comes along." "There was a migration of artists from all over America to New York. It was completely wild. And we controlled it ourselves." "I couldn't go back to the abstract drawings; it had to have some connection to the real world."

After twenty years, return to the wild world of Crash Bandicoot with this epic behind-the-scenes look at the new Crash Bandicoot 4: It's About Time! The Crash Bandicoot (TM) series has remained a beloved staple of platform gaming ever since the first game's release in 1996, The Art of Crash Bandicoot (TM)4: It's About Time (TM) is a rich repository overflowing with interviews, quotes, observations and anecdotes, accompanied by a treasure trove of concept art detailing the characters and environments of the game. Gamers of every type will cherish this all-encompassing look into the zany, wild and unpredictable world of Crash Bandicoot (TM).

A groundbreaking look at how Chicano graphic artists and their collaborators have used their work to imagine and sustain identities and political viewpoints during the past half century The 1960s witnessed the rise of the Chicano civil rights movement, or El Movimiento, and marked a new way of being a person of Mexican descent in the United States. To call oneself Chicano-a formerly derogatory term-became a political and cultural statement, and Chicano graphic artists asserted this identity through their printmaking and activism. !Printing the Revolution! explores the remarkable legacy of Chicano graphic arts relative to major social movements, the way these artists and their cross-cultural collaborators advanced printmaking methods, and the medium's unique role in shaping critical debates about U.S. identity and history. From satire and portraiture to politicized pop, this volume examines how artists created visually captivating graphics that catalyzed audiences. Posters and prints announced labor strikes and cultural events, highlighted the plight of political prisoners, schooled viewers in Third World liberation movements, and, most significantly, challenged the invisibility of Mexican Americans in U.S. society. While screen printing was the dominant mode of printmaking during the civil rights era, this book considers how artists have embraced a wide range of techniques and strategies, from installation art to shareable digital graphics. This book shows how artists have used and continue to use graphic arts as a means to engage the public, address social justice concerns, and wrestle with shifting notions of the term Chicano. Uniting historic civil rights prints and artworks by leading graphic artists working today, !Printing the Revolution! presents a vibrant look at the past, present, and future of an essential aspect of Chicano art. Exhibition Schedule Smithsonian American Art Museum, Washington, DC November 20, 2020-August 1, 2021 Published in association with the Smithsonian American Art Museum, Washington, DC

Street art is part of every cityscape. By street art, we mean the crazy and wonderful stencils, paste-ups, paintings and little sculptures that decorate our urban landscape, catching our eyes and surprising us with their beauty, humour or pithy comment on society. It is, however, ephemeral and the work can disappear very quickly or be damaged by the elements or vandalism. Through his website, Claudelondon has documented thousands of works by artists active in the city. Banksy has already become a household name and the success of his movie Exit Through the Giftshop has raised the profile of street art even further. On a state visit, Prime Minister David Cameron gave President Obama a painting by street artist Eine. The street art scene in London is one of the most vibrant in the world attracting not only local artists, but also artists from other countries. Street art galleries are popping up everywhere and attracting lots of visitors. Guided street art walks are appearing in major cities in the UK, the US and other countries.This book will cover over 150 artists and include around 275 photos.While including some of the more established street artists such as Eine, Invader, Banksy, Roa, David Walker and Swoon, the author also includes some of the new generation of street artists like Stik, Public Spirit, Xylo, Elbow Toe, Ludo, T. Wat among others who create wonderful quirky pieces that deserve a wider audience. A must have for anyone interested in street art, urban street culture or contemporary art.

ROMA OMNIA VINCIT is the first book from Roman street artists JB Rock and Diamond. It has been done in a flip over style with two covers, on one side Diamond, on the other JB Rock. They are friends and collaborators and they work both together and alone. Each artist has his own technique, style, and perspective, however their work on the street often parallels the other. Their work is a true reflection of their street art attitude, which can be seen in their style and dedication to their work and designs. The process of creation can be followed from conception in the studio to the adhesion to the walls, which passes through the realization of the poster and stencil techniques. This leads to the meanderings of Street Art, not only a mere practice but also in its execution. The two artists and their two different approaches lead to questioning the values and the differences between exposition in a gallery and position on the street. The book, in its flip over style can be read from either direction, front to back it focuses on the work of one artists and from back to front on the work of the other. In the middle the works are fused together in critical texts that explain and contextualize this movement in an amplified vision that comprehends the landscape of contemporary art.Their art nouveau inspiration, mixed with decorative icons and rugged style, often comprised of exquisitely tattooed ladies who have been transported to a 1920s beauty pageant or transformed into Ancient Roman icons that recall the history of the Eternal City. This book contains something extremely new for street art lovers to understand and experience.

A collection of essential quotations and other writings from artist and icon Jean-Michel Basquiat One of the most important artists of the late twentieth century, Jean-Michel Basquiat explored the interplay of words and images throughout his career as a celebrated painter with an instantly recognizable style. In his paintings, notebooks, and interviews, he showed himself to be a powerful and creative writer and speaker as well as image-maker. Basquiat-isms is a collection of essential quotations from this godfather of urban culture. In these brief, compelling, and memorable selections, taken from his interviews as well as his visual and written works, Basquiat writes and speaks about culture, his artistic persona, the art world, artistic influence, race, urban life, and many other subjects. Concise, direct, forceful, poetic, and enigmatic, Basquiat's words, like his art, continue to resonate. Select quotations from the book: "I cross out words so you will see them more; the fact that they are obscured makes you want to read them." "I think there are a lot of people that are neglected in art, I don't know if it's because of who made the paintings or what, but, um . . . black people are never really portrayed realistically or I mean not even portrayed in modern art." "Since I was 17, I thought I might be a star." "The more I paint the more I like everything." "I think I make art for myself, but ultimately I think I make it for the world."

This visually rich survey - the first of its kind - showcases the work of over 200 artists and celebrates the explosion of street art in Africa over the last decade. Including twelve in-depth interviews with street artists active in Africa today as well as coverage of the continent's major street art projects, collectives and festivals, it takes the reader on an introductory tour of the many African street art scenes, with a deeper focus on the most prominent players in Kenya, Morocco, Senegal, South Africa and Tunisia. Topics and projects covered include the monumental project Murais da Leba in Angola, which saw 6,000 square metres of wall covered by local graffiti and visual artists in the Serra da Leba mountain range; the cultural influences and idiosyncrasies of individual street art scenes, and how they mesh with local communities; and eL Seed's project 'Perception', a huge multi-part mural stretching across more than fifty buildings in Cairo's Zaraeeb neighbourhood, revealing a message of hope to its marginalized community in the artist's distinctive 'calligraffiti' style. Text commentaries elaborating on styles and processes, and social and cultural context, are peppered throughout the book, giving the reader further insight into a wealth of striking contemporary visual cultures - and helping make this a must-have for street art fans and practitioners.

Entropy, from the Greek 'entrope', the action of transforming itself at random...For the first monograph in English of the Portuguese artist, Alexander Farto - aka Vhils - it is an emblematic title indeed. The artist's aim, in carving portraits of anonymous persons on the degraded walls of our modern cities, is not only to give a second life to these abandoned mural supports but also to bring to light ordinary citizens roughly treated by a society progressing at a fast speed and leaving them out. Hence, in giving visibility to things and beings whose elimination is programmed, Vhils explored a new creative path. Giving up the graffiti, he doesn't use the wall as the simple support of his art expression anymore but reaches for the very essence of it. His tools are now the chisel, the jackhammer, even some explosive devices, but no longer the aerosol, to successively reveal the various strata hidden under the surface of the wall and generating human figures hollowed or in relief.But Vhils also works indoors using metal, wood, polystyrene or cork, testing out a new technique each time, like laser scraping the 'crust' of layered advertising posters for the purpose of creating strange palimpsests from which urban shapes and human faces appear here again. All in all, Vhils's work is here to make visible the obvious and less obvious links existing between a city and its inhabitants, and to express the need of preserving, in 'the sound and fury', what makes us human beings.

In the mid- to late 1980s, rave culture developed. It influenced music, design, art, drugs, fashion, language and even the law. Originally emerging in the USA, it was refined in the UK by people who wanted to dance, party and express themselves in terms of art and music. It started in in small, sweaty clubs but such was the popularity that soon enormous Raves, with tens of thousands of people, were common. 'House' music and illegal drug ecstasy were the driving forces behind what turned into a global phenomenon. Events that started as secretive nights in underground clubs, with word-of-mouth advertising grew from one-off take-overs of unusual venues into huge open land-based events. Pager and telephonic communication became the medium of message-passing, and flyers were key to it all: informing the right people about the right place at the right time. Chelsea Berlin was there from the beginning, attending many of the now legendary events, from Club Shoom to Energy and beyond. In Rave Art, the whole exciting movement is documented through the flyers that were handed out freely (often privately) to inform partygoers of the next venue. Flyer design became an artform, and this book contains hundreds of the most significant and rare examples from Chelsea's huge collection. Together with personal reminiscences and quotes from famous, infamous and not-so-famous attendees, Rave Art paints a vivid picture of what is probably the last significant youth culture movement of modern times.

Book three in a series celebrating the phenomenon of street art in the world's greatest cities. A photographer's view of Rio De Janeiro's transient street art scene. Celebrating the vibrancy, creativity and colour of the movement and documenting a time and place in its history. Artist's work include Wark Rocinha, NATA, Vida One Love, MEMI, Cranio and Panmela Castro with many more both celebrated and unknown. These books show the colour, detail and skill in these works, showcasing the talents of these contemporary artists.

An exploration of the artistic and cultural influences that shaped writer and illustrator Edward Gorey The illustrator, designer, and writer Edward Gorey (1925-2000) is beloved for his droll, surreal, and slightly sinister drawings. While he is perhaps best known for his fanciful, macabre books, such as The Doubtful Guest and The Gashlycrumb Tinies, his instantly recognizable imagery can be seen everywhere from the New Yorker to the opening title sequence of the television series Mystery! on PBS. Gorey's Worlds delves into the numerous and surprising cultural and artistic sources that influenced Gorey's unique visual language. Gorey was an inveterate collector--he called it "accumulating." A variety of objects shaped his artistic mindset, from works of popular culture to the more than twenty-six thousand books he owned and the art pieces in his vast collection. This collection, which Gorey left to the Wadsworth Atheneum Museum of Art upon his death, is diverse in style, subject, and media, and includes prints by Eugene Delacroix, Charles Meryon, Edvard Munch, and Odilon Redon; photographs by Eugene Atget; and drawings by Balthus, Pierre Bonnard, Charles Burchfield, Bill Traylor, and Edouard Vuillard. As this book shows, these artistic pieces present a visual riddle, as the connections between them-to each other and to Gorey's works-are significant and enigmatic. The essays in Gorey's Worlds also examine the artist's consuming passions for animals and ballet. Featuring a sumptuous selection of Gorey's creations alongside his fascinating and diverse collections, Gorey's Worlds reveals the private world that inspired one of the most idiosyncratic artists of the twentieth century. Exhibition Schedule: Wadsworth Atheneum Museum of Art, February 10 - May 6, 2018

The second book in a series celebrating the phenomenon of street art in the world's greatest cities. A photographer's view of Berlin's transient street art scene shot over a two year period from 2014. Celebrating the vibrancy, creativity and colour of the movement and documenting a time and place in its history. Artist's work include Thierry Noir, Jimmy C, El Bocho, Plotbot Ken, Victor Ash and Alaniz with many more both celebrated and unknown. These books show the colour, detail and skill in these works, showcasing the talents of these contemporary artists.

This is the illustrated story of New York artist Chris Daze Ellis's successful transition from the subways to international studios and galleries. Follow his 30+ year career from his days as a teenage graffiti writer to his current life as a professional painter, mentor, and family man. This book, with more than 250 photographs, is a journey tracking the seminal moments in Daze's life that shaped his art. View his aesthetic evolution, from "Graffiti High" (New York's High School of Art and Design) and an "unsanctioned" street art phase to exhibitions with Keith Haring and Jean-Michel Basquiat. Train photos from the 1970s and '80s, a broad representation of Daze's studio and mural works, and personal photos guide the reader through an artistic portfolio spanning five decades. Contributions by graffiti writer Jay "J.SON" Edlin and essayist Claire Schwartz, and a foreword by graffiti historian and chronicler Sacha Jenkins, complete this volume.

The Art of Horizon Zero Dawn is the ultimate gallery of thehotly anticipated new IP from Guerrilla Games (Killzoneseries). It focuses on the stunning artwork used to developthe game, and includes over 300 images, sketches, andconcept art, commentary throughout from the artists andcreators. This is an in-depth insight into a world asbeautiful as it is dangerous.

Classic graffiti lettering and experimental typographical forms lie at the heart of street culture and have long inspired designers in many different fields. But graffiti artists, who tend to paint the same letters of their tag again and again, rarely design complete alphabets. Claudia Walde has spent over two years collecting alphabets by 154 artists from 30 countries with a view to showing the many different styles and approaches to lettering within the graffiti and street art cultures. All of the artists have roots in graffiti. Some are world renowned such as 123 Klan (Canada), Faith47 (South Africa) and Hera (Germany); others are lesser known or only now starting to emerge. Each artist received the same brief: to design all 26 letters of the Latin alphabet within the limits of a single page of the book. How they approached this task and selected the media with which to express their ideas was entirely up to them. The results are a fascinating insight into the creative process.

An introduction to the world of street art. A colourful combination of eye-catching imagery and well-informed commentary, it is a thought-provoking presentation to this hotly topical subject.