Lara Croft returns, desperate for answers - and seeking a hidden truth. The Art of Rise of the Tomb Raider takes readers on an all-access journey for the latest instalment in the critically and commercially acclaimed Tomb Raider franchise. Featuring concept art, 3D renders, sketches and more, accompanied by detailed developer commentary, this book showcases the amazing characters and locations found on Lara's continuing adventures.

This book explores how copyright laws are perceived within street art and graffiti subcultures to examine how artists and writers view certain creative aspects of their own practice. Drawing on ethnographic research and fieldwork, the book gives voice to the main actors of these communities and highlights their feelings and opinions toward issues that are increasingly impacting their everyday life and work. It also touches on related and complementary issues, such as the 'gallerisation' or economic exploitation of these forms of art and the curious similarities between the graffiti and advertising worlds. Unique and comprehensive, Copyright on the Street brings the 'voice from the street' into the debate over the legal and non-legal protection of street art and graffiti.

This book explores how copyright laws are perceived within street art and graffiti subcultures to examine how artists and writers view certain creative aspects of their own practice. Drawing on ethnographic research and fieldwork, the book gives voice to the main actors of these communities and highlights their feelings and opinions toward issues that are increasingly impacting their everyday life and work. It also touches on related and complementary issues, such as the 'gallerisation' or economic exploitation of these forms of art and the curious similarities between the graffiti and advertising worlds. Unique and comprehensive, Copyright on the Street brings the 'voice from the street' into the debate over the legal and non-legal protection of street art and graffiti.

Instafame charts the impact of Instagram--one of the world's most popular social media platforms--on visual culture in the mere eight years since its launch. MacDowell traces the intuitive connections between graffiti, street art, and Instagram, arguing that social media's unending battle for a viewer's attention is closely aligned with eye-catching ethos of unsanctioned public art. Beginning with the observation that the scroll of images on a sideways phone screen resembles nothing so much as graffiti seen through the windows of a moving train, Macdowell moves outward to give us a wide-ranging look at how Instagram has already effected a dramatic shift in the making and viewing of street art.

For the very first time an overview is published featuring the works of Belgium's finest street art and graffiti artists. Belgian Street Art Today contains a selection of works made by 50 selected artists, such as Roa, Djoels, Dzia, Jaune, Mata One, 2 Dirty, Bue The Warrior, Joachim, Zenith... Some of these artists are working around the globe and have received international acclaim; a few of them are even represented by prestigious art galleries abroad. The selection is preceded by a brief history of street art and a never-before-published comprehensive overview of street art projects and street art and graffiti walks in Belgium. Therefore this book is a must-have for art lovers looking for insider tips and unique experiences. For more than two years, photographer Vincent Willems crisscrossed Belgium in search of the most spectacular interventions and murals, a passion culminating in this stunning book.

'A beautiful, deeply affecting and powerful marriage between art and activism' - KHALED HOSSEINI, bestselling author of The Kite Runner 'These are vital conversations. Everyone should eavesdrop on them'- KAMILA SHAMSIE, author of award-winning bestseller Home Fire Conversations From Calais is a global art movement that captures moments between volunteers and refugees in poster form. Pasted on our city walls these posters amplify marginalised voices and bear witness to those who are often ignored. Features essay contributions by Osman Yousefzada, Gulwali Passarlay, Nish Kumar, Joudie Kalla, Waad Al-Kateab, Yasmin Alibhai-Brown, Ai Weiwei and Inua Ellams. 'Showcases what the world so desperately needs more of right now: heart, hope and humanity' - EMMA GANNON, author & podcaster 'These conversations remind us that the only difference between ourselves and anyone else is circumstance' - OLIVE GRAY, actor

"This Is Not a Photo Opportunity" is a street-level, full-color showcase of some of Banksy's most innovative pieces ever. Banksy, Britain's now-legendary "guerilla" street artist, has painted the walls, streets, and bridges of towns and cities throughout the world. Once viewed as vandalism, Banksy's work is now venerated, collected, and preserved. Over the course of a decade, Martin Bull has documented dozens of the most important and impressive works by the legendary political artist, most of which are no longer in existence.

Following the runaway success of the original edition, this unique book collects the rest of Banksy's graffiti from the last five years. With more than 100 different locations highlighted and color photographs of Banksy's street art, this is a thoroughly up-to-date catalog of his most recent work. Also included with the photographs are trivia regarding each location, a full walking tour of the remaining work in Banksy's native Bristol, and snippets of graffiti by several other artists.

"We could have been called a lot of things: brazen vandals, scared kids, threats to social order, self-obsessed egomaniacs, marginalized youth, outsider artists, trend setters, and thrill seekers. But, to me, we were just regular kids growing up hard in America and making the city our own. Being 'writers' gave us something to live for and 'going all city' gave us something to strive for; and for some of my friends it was something to die for." In the age of Banksy, hipster street art, and commissioned wall murals, it's easy to forget graffiti's complicated and often violent past in the United States. Though graffiti has become one of the most influential art forms of the twenty-first century, cities across the United States waged a war against it from the late 1970s to the early 2000s, complete with brutal police task forces. Who were the much-maligned taggers they targeted? Teenagers, usually, from low-income neighborhoods with little to their names except a few spray cans and a desperate need to be seen--to mark their presence on city walls and buildings even as their cities turned a blind eye to them. Going All City is the mesmerizing and painful story of these young graffiti writers, told by one of their own. Prolific LA writer Stefano Bloch came of age in the late 1990s amid constant violence, poverty, and vulnerability. He recounts vicious interactions with police; debating whether to take undocumented friends with gunshot wounds to the hospital; coping with his mother's heroin addiction; instability and homelessness; and his dread that his stepfather would get out of jail and tip his unstable life into full-blown chaos. But he also recalls moments of peace and exhilaration: marking a fresh tag; the thrill of running with his crew at night; exploring the secret landscape of LA; the dream and success of going all city. Bloch holds nothing back in this fierce, poignant memoir. Going All City is an unflinching portrait of a deeply maligned subculture and an unforgettable account of what writing on city walls means to the most vulnerable people living within them.

Rituals shape our social relations and are highly significant in all cultures. They define communities and make transformation possible by conveying security and support. In this exhibition catalogue, three up and coming artists - Baptiste Brossard, Helen Dowling, and Sara-Lena Maierhofer - explore rituals in their various contemporary forms. Based on predominantly time-based media such as photography and video, their works exemplify the ephemeral and performative character of ritual acts. This book accompanies an exhibition of the same name at Galerie Stadt Sindelfingen (Germany), and imparts a critical perspective on this elementary social force. It illustrates that rituals are necessarily subject to change yet can also strengthen personal and societal resilience in the present day. Text in English, German and French.

In this collection of photographs taken in over 36 countries, Christer Loefgren explores the international art of graffiti and wall paintings. From his base in Stockholm, Sweden, Loefgren travels to places where street art can be found, including places like the Antarctic, Greenland, and Svalbard, where you may not expect to see it. The book addresses the current duality of opinion about street art: it is still viewed as a criminal act in many places, and yet at the same time it is accepted as a valid and important art form. It crosses boundaries to unite communities all around the world. Organised in two sections, the first section of this book explores the methods and motivations behind the work, while the second section focuses on street art in specific countries around the world.

Featuring never-before-seen drawings by the renowned contemporary artist, a beautiful facsimile edition that reveals the working process of an extraordinary creative mind Sketchbook reproduces original working drawings and sketches by the contemporary American artist and designer Daniel Arsham, whose work freely crosses the boundaries of art, architecture, film, and design, and also speaks to fans of pop culture, including sneakerheads, car enthusiasts, and anime devotees. Spanning a decade and featuring previously unpublished drawings by this highly skilled draftsman, this beautifully produced facsimile edition provides an unprecedented, intimate look at Arsham's working process, revealing a new side of an extraordinary creative mind. Published in association with No More Rulers

Despite its consistent presence in architectural practice throughout the 20th and 21st centuries, collage has never been considered a standard form of architectural representation like drafting, model making, or sketching. The work of Marshall Brown, an architect and artist, demonstrates the power of collage as an architectural medium. In Brown's view, collage changes the terms of architectural authorship and challenges outdated definitions of originality. Published in conjunction with the exhibition The Architecture of Collage: Marshall Brown at the Santa Barbara Museum of Art, the book features some forty collages by Marshall Brown. These works come from four of his collage series, including Chimera, Je est un autre, as well as the previously unpublished Prisons of Invention and Piranesian Maps of Berlin. Additionally, there are photographs of Ziggurat, an outdoor sculpture with a design based on a collage from Chimera. The full-color plates are supplemented with essays by critic and curator Aaron Betsky, scholar of art history and archaeology Anna Arabindan-Kesson, Santa Barbara Museum of Art’s curator James Glisson, and Marshall Brown that outline the conceptual foundations of Brown's intriguing exploration of an intersection of architecture and art.

This fully illustrated anthology showcases key images from Peter Kennard's work as Britain's foremost political artist over the last fifty years. The book centres around Kennard's images, photomontages and illustrations from protests, year by year, which provoked public outrage; including Israel/Palestine protests, anti-nuclear protests, responses to austerity, climate destruction, and more. Each image is accompanied by captions detailing not only the events in question, but Kennard's approach to the work, including the genesis of the images and the techniques employed. Ultimately, the book highlights Kennard's extraordinary contribution to political art in the twenty-first century.

The starting image was of a circle on a rectangle; every subsequent image was visually connected to the previous one. It was understood from the beginning that they had to use images that could be scanned from physical items they already had at home (no images from the Internet)-such as children's books, personal collections of technical manuals and assorted ephemera. The call-and-response nature of the enterprise can be appreciated in the distinctive pairs of facing pages that present themselves as you go through the bound book. To reinforce their dual roles each image appears twice in the book, once as response and again as call. One can see the resulting series of images as a closed loop with no beginning and no end. This second, expanded edition includes the entire project of 196 exchanges that make up Dumontier and Lexier's clever, competitive, and meandering loop of images. Creative people in art and design will take pleasure in browsing the book and discover formal analogies, witty poetic correspondence and dadaesque follies, which congregate to an unseen visual narrative. Truly an inspirational tool for creative activists!

Perfect for beginners but with exciting new ideas for long-time mixed-media artists, this book allows you to explore a variety of materials and techniques to find what speaks to you, all while creating colorful and exciting abstract art. In this bright and colorful book, you will be introduced to 25+ techniques for making marks in your art. Using more than 35 popular tools such as pens, acrylic markers, the Gelli Plate, stencils and much more, you will discover that all along you has had your own unique way of creating pattern, using color and drawing a line. Mark making is different from sketching a still life or painting a landscape. Here's how Rae talks about mark making in the opening of the book.

"To be a mark maker is to declare your love of all things that leave a visible imprint or outline on something. To be a mark maker is be a collector of tools, both traditional and non-conventional, tools that will become an extension of who you are as a marker of art marks. As a mark maker you will become a tinkerer. You will inspect, explore and study your tools and what they can do for you. To be a mark maker you will reinvent the way your art is created, adding and subtracting along the way, remaking something ordinary into something extraordinary. As a maker of marks you will seek to discover your own representations in art, forming and shaping your individual style of imprints along the way. You will find yourself selecting and sorting a unique set of tools that will speak to who you are as a maker of art marks."

Combining techniques, try your hand at fun projects including Pint-Sized Art, Hybrid Hoop Art and prompts for art journaling. The act of repetition or making a pattern is a meditative process approachable by anyone.

This collection of original articles brings together for the first time the research on graffiti from a wide range of geographical and chronological contexts and shows how they are interpreted in various fields. Examples range as widely as medieval European cliff carvings to tags on New York subway cars to messages left in library bathrooms. In total, the authors legitimize the study of graffiti as a multidisciplinary pursuit that can produce useful knowledge of individuals, cultures, and nations. The chapters-represent 20 authors from six countries; -offer perspectives of disciplines as diverse as archaeology, history, art history, museum studies, and sociology;-elicit common themes of authority and its subversion, the identity work of subcultures and countercultures, and presentation of privilege and status.

MadC: Street to Canvas is the first monograph on the world-renowned contemporary artist and muralist MadC (Claudia Walde), whose practice moves dynamically between the street and the studio to capture the energy of painting and test the heights of its possibility. For more than two decades - from her beginnings in the 1990s as a graffiti artist in the local scene of Bautzen in east Germany to largescale public murals on an international level - MadC has captivated global audiences with her distinctive style, characterised by abstract compositions of bold, sweeping lines and transparent layers of vivid colours. Writer and curator Luisa Heese charts the artist's career, exploring MadC's immense body of work in locations across more than 35 countries. Over 200 artworks and personal photographs illustrate the book, showcasing her unique use of colour and the spontaneous movement of lines produced by spray cans and brushstrokes. From street to canvas, MadC adorns each surface with a vivacity that surpasses cultural barriers. Traversing private and public spaces, her work constantly blurs the lines between street art and fine art. What is revealed is the potential for art to be an inclusive and universal language to connect and inspire people and communities around the world.

What is street art? Who is the street artist? Why is street art a crime?

Since the late 1990s, a distinctive cultural practice has emerged in many cities: street art, involving the placement of uncommissioned artworks in public places. Sometimes regarded as a variant of graffiti, sometimes called a new art movement, its practitioners engage in illicit activities while at the same time the resulting artworks can command high prices at auction and have become collectable aesthetic commodities. Such paradoxical responses show that street art challenges conventional understandings of culture, law, crime and art.

Street Art, Public City: Law, Crime and the Urban Imagination engages with those paradoxes in order to understand how street art reveals new modes of citizenship in the contemporary city. It examines the histories of street art and the motivations of street artists, and the experiences both of making street art and looking at street art in public space. It considers the ways in which street art has become an integral part of the identity of cities such as London, New York, Berlin, and Melbourne, at the same time as street art has become increasingly criminalised. It investigates the implications of street art for conceptions of property and authority, and suggests that street art and the urban imagination can point us towards a different kind of city: the public city.

"Street Art, Public City "will be of interest to readers concerned with art, culture, law, cities and urban space, and also to readers in the fields of legal studies, cultural criminology, urban geography, cultural studies and art more generally.

Artistry with spray paint goes much deeper than what some would write off as vandalism. Modern spray paint artists use the medium in a myriad of inventive ways, see them in The Art of Spray Paint. With roots in graffiti and utilitarian projects, spray paint has come to the forefront of the art world, seen both on the streets and in museums across the globe. The Art of Spray Paint investigates the diverse artists who are thriving with the medium, from the evolution of graffiti by John "CRASH" Matos, to the photo-realistic stencils of Logan Hicks, or the precise lines and can control of Tristan Eaton. Zimmer provides a window into the world of 20 leading artists working with spray paint in diverse ways including graffiti, urban art, stencil, portraiture, crisp graphic work and mixed media. You'll also discover DIY projects and tricks of the trade, as well as a focus on the artist's role in society, the rise of mural festivals and its effects, and each artists' background and attraction to spray paint as a medium. Contributors include: CRASH, PichiAvo, BR163, Logan Hicks, Joe Iurato, Nick Walker, Caroline Caldwell, Casey Gray, Tristan Eaton, Matt Eaton, Hueman, Elle, Tatiana Suarez, Conor Harrington, Remi Rough, Will Hutnick, Rubin415, Rebecca Paul, Zac Braun, Ian Kuali'i, Ele Pack, and Dana Oldfather

A wholly immersive in-world take on the blockbuster Call of Duty (R) series. Acclaimed for its immersive gameplay and thrilling storylines, Call of Duty (R) has captivated millions of players worldwide since the release of its first game in 2003. Call of Duty (R): Field Manual is an engrossing collector's item for fans of the series. Presented as an official combat-issued handbook that has been misplaced by its owner, the book pairs stunning original illustrations with an engaging narrative that showcases the statistics and history of the essential units, vehicles, weapons, and battlegrounds.

Brighton's residents have a reputation for their vivid eccentricity. This book does not set out to prove whether this is true or not, but is a documentation of what stands out to the photographer, however exciting or mundane it may seem. A lot of the photographs are as much about the environment that the person is in as they are about that person. From there on it is up to the viewer to build a narrative.