In Dismantling the Patriarchy, Bit by Bit, Judith K. Brodsky makes a ground-breaking intellectual leap by connecting feminist art theory with the rise of digital art. Technology has commonly been considered the domain of white men but-unrecognized until this book-female artists, including women artists of color, have been innovators in the digital art arena as early as the late 1960s when computers first became available outside of government and university laboratories. Brodsky, an important figure in the feminist art world, looks at various forms of visual art that are quickly becoming the dominant art of the 21st century, examining the work of artists in such media as video (from pioneers Joan Jonas and Adrian Piper to Hannah Black today), websites and social networking (from Vera Frenkel to Ann Hirsch), virtual and augmented reality art (Jenny Holzer to Hyphen-Lab), and art using artificial intelligence. She also documents the work of female-identifying, queer, transgender, and Black and brown artists including Legacy Russell and Micha Cardenas, who are not only innovators in digital art but also transforming technology itself under the impact of feminist theory. In this radical study, Brodsky argues that their work frees technology from its patriarchal context, illustrating the crucial need to transform all areas of our culture in order to achieve the goals of #MeToo, Black Lives Matter (BLM), and Black and Minority Ethnic (BAME) representation, to empower female-identifying and Black and brown people, and to document their contributions to human history.

Characters are the most popular and easily accessible side of graffiti. They are the figures that stand beside the writers name and attract attention to it. They are brought to the fore in Graffiti Coloring Book 2: Characters. The book features themes by the worlds foremost graffiti writers. Well-built b-boys and b-girls with spray cans, boom boxes and attitude, comic figures with cartoon features and realistic portraits. All are waiting to be rendered in glorious color. In graffiti culture, the black-and-white drawing serves both as a model for a graffiti piece and as a work of art in its own right. Similarly, this book is both a toy and an art history document. With characters from world famour graffiti writers like: T-Kid TNB (New York), Tack FBA (New York), Part One TDS (New York), Wane COD (New York), Ezo TDS (New York), Zimad TD4 (New York), Too Fly (New York), Nic 707 OTB (New York), Revolt RTW (New York)

An icon of 1980s New York, Jean-Michel Basquiat (1960-1988) first made his name under the graffiti tag "SAMO," before establishing his studio practice and catapulting to fast fame at the age of 20. Although his career lasted barely a decade, he remains a cult figure of artistic social commentary, and a trailblazer in the mediation of graffiti and gallery art. Basquiat's work drew upon diverse sources and media to create an original and urgent artistic vocabulary, biting with critique against structures of power and racism. His practice merged abstraction and figuration, poetry and painting, while his influences spanned Greek, Roman, and African art, French poetry, jazz,and the work of artistic contemporaries such as Andy Warhol and Cy Twombly. The results are vivid, visceral mixtures of words, African emblems, cartoonish figures, daubs of bold color, and beyond. This book presents Basquiat's short but prolific career, his unique style, and his profound engagement with ever-relevant issues of integration and segregation, poverty and wealth. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

The evidential role of matter-when media records trace evidence of violence-explored through a series of cases drawn from Kosovo, Japan, Vietnam, and elsewhere. In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, Material Witness moves through a series of cases that provide insight into the ways in which materials become contested agents of dispute around which stake holders gather. These cases include an extraordinary videotape documenting the massacre at Izbica, Kosovo, used as war crimes evidence against Slobodan Milosevic; the telephonic transmission of an iconic photograph of a South Vietnamese girl fleeing an accidental napalm attack; radioactive contamination discovered in Canada's coastal waters five years after the accident at Fukushima Daiichi; and the ecological media or "disaster film" produced by the Deep Water Horizon oil spill in the Gulf of Mexico. Each highlights the degree to which a rearrangement of matter exposes the contingency of witnessing, raising questions about what can be known in relationship to that which is seen or sensed, about who or what is able to bestow meaning onto things, and about whose stories will be heeded or dismissed. An artist-researcher, Schuppli offers an analysis that merges her creative sensibility with a forensic imagination rich in technical detail. Her goal is to relink the material world and its affordances with the aesthetic, the juridical, and the political.

Experience Paris from a unique point of view and explore the city through its famous street art. In this handy guide, ten interesting walking tours take you to every important and surprising Parisian street art installation. Pick one of the routes and detailed directions with helpful maps and pictograms will show you the way. Background information on the artists is supplemented by a guide to the best restaurants, cafes, bookshops, museums, galleries and other worthwhile places to visit nearby. Also available: The Street Art Guide to London ISBN 9789401469845

Lorna Brown is an artist specialising in watercolour architectural paintings that represent something other than just bricks and mortar. With a keenness for adventure, she likes to hunt for new places to paint; buildings with character and story that represent the people who have occupied these spaces in the past, present and future.

Lorna has travelled around the world to produce this collection of illustrations of street art in urban landscapes. Visiting London, Bristol, Helsinki, Berlin, Cairo, Bethlehem, New York, Los Angeles, Detroit, Christchurch, Melbourne, Painted Cities demonstrates how the architecture shapes the unique street art in each city and tells the story of the painters and people who live there.

Collage by Women presents 50 international women artists working in the field of collage today through a rigorous selection of their works. Curated by the Spanish collage artist Rebeka Elizegi, the book gives space to voices from all backgrounds, origins, and artistic expressions, and shows the wide variety of perspectives that are shaping the panorama of collage today, bringing to light a parallel effervescence of female artistic initiatives around the world. From emerging names to more well-known and established ones, the artists featured here are pushing back the boundaries of art. Collage by Women wants to call attention to the experiences and creative processes of artists that should be on our radar through an impressive selection of manual and digital techniques, topics and aesthetic choices, accompanied by texts that provide indepth approaches to the inspiration, influences and work trajectory of each artist. Born from the belief that women's voices are of the utmost relevance in all cultural and social fields, the book will surely contribute to a healthier, more comprehensive, more inclusive nderstanding of our reality.

With the birth of contemporary museum culture and the advent of digital technologies, the 21st century has brought a whole new means by which to access art and its histories. How do we re-map the realm of contemporary art in light of a more inclusive awareness, taking into account the unprecedented global movements of artists today and representing the divergent histories of geographies that were once peripheral? The Artists Who Will Change the World is a new global map of art that points to the future. Unlike a traditional atlas, its cartography illustrates a world of international artists who may not yet be household names, but who will undoubtedly shape the art of tomorrow. Omar Kholeif provides an introductory field guide to what some of the most urgent contemporary artists are doing worldwide. These are artists whose work engages with the aesthetics of technology and the issues of tomorrow; artists who are developing concepts rarely tested before, or who are engaging with politics in new ways. The book is a journey of discovery that will influence generations of artists and art lovers to come.

Practical guide to creating meaningful Polynesian tattoos. List of symbols and their meanings. Quick reference to find the right symbols for the desired meanings. Positioning the elements. Step by step creation process. Live examples and case studies. A lot more

'You capture so much in one frozen moment of time, and the fact that this tiny moment will now last forever makes it so much more profound...' Immortalised through the BBC's 'Peaky Blinders', and now in the throes of HS2 development, Birmingham's up and coming creative quarter is in the spotlight as Nigel Parker documents the unique people and places of Digbeth.

Dirtypilot.com Year 1 Rewind presents the work of 15 of the artists that Dirtypilot.com has showcased in its monthly online exhibitions during its inaugural year, beginning in May 2007. These works embrace a range of movements from graffiti, street and urban art to pop and and outsider art. Rendered in mediums, from spray paint, oil, acrylic, water color and mixed media, to simple pen and ink, graphic, silkscreen and other transfer methods. Featured artists include up and coming talents along with established artists, such as Chris "Daze" Ellis, Kime Buzzelli, Bravo Jet, Albert Reyes, Papermonster, Chris Stain, Ghost, Ewok 5MH, Cern YMI, Dennis McNett, Greg Gossel, Stephen Tompkins, Enrique Martinez, Justin Bua, Michael Krueger and Daniel Johnston. Both a contemporary representation of the most riveting urban art of our time and a frozen slice of art history that hundreds of thousands of urban art collectors and aficionados who frequent DirtyPilot.com can enjoy today and tomorrow. This diverse body of artwork also stands as an enlightening sampling for collectors and art students unfamiliar with urban motifs. A sturdy, hardcover compellation of shows, Dirtypilot.com Year 1 Rewind dedicates from two to six pages of illustrations of each showcased artist as well as the dates the artists showed their work on Dirtypilot.com. It also delivers biographical sketches on each contributor. The book's introduction by Dirtypilot.com founder Alan Bortman offers insightful background information on the origin and focal point of the Dirtypilot site. If you're passionate about urban art and urban artists and want to learn more, Dirtypilot.com Year 1 Rewind is a visual treasure trove for collectors thatyou won't want to be without.

The perfect fun and relaxing art project for adults and children, this activity pack includes everything needed for readers to make their own Pointillist sticker masterpiece. Containing 14 sticker sheets with over three-thousand colored circular stickers and an 18" x 32" (46 x 82.5 cm) poster "canvas" of colored outlines, readers simply need to match the colored stickers to the outlines found on the poster to recreate the painting. Given that Pointillism relies on the ability of the eye and brain to blend colored dots into a fuller range of tones, it's not necessary to place each sticker on precisely the right outline. As a result, every finished poster will be somewhat different- and extremely satisfying. With a handy folder-style flap that allows for easy storage and transportation of the artwork in progress, Dot Art: Sticker Seurat makes the perfect activity to take on vacation or to unwind after a busy day.

In the 1960s and early 1970s, young people in New York City radically altered the tradition of writing their initials on neighborhood walls. Influenced by the widespread use of famous names on billboards, in neon, in magazines, newspapers, and typographies from advertising and comics, city youth created a new form of expression built around elaborately designed names and initials displayed on public walls, vehicles, and subways. Critics called it "graffiti," but to the practitioners it was "writing."

"Taking the Train" traces the history of "writing" in New York City against the backdrop of the struggle that developed between the city and the writers. Austin tracks the ways in which "writing" -- a small, seemingly insignificant act of youthful rebellion -- assumed crisis-level importance inside the bureaucracy and the public relations of New York City mayoral administrations and the Metropolitan Transportation Authority for almost two decades. "Taking the Train" reveals why a global city short on funds made "wiping out graffiti" an expensive priority while other needs went unfunded. Although the city eventually took back the trains, Austin eloquently shows how and why the culture of "writing" survived to become an international art movement and a vital part of hip-hop culture.

Looking at the newspaper clipping from 1870 to 1930 in art and science, this study examines knowledge production and its visual and material background, combining the perspectives of media history with art history and the history of science. It traces the biography of a newspaper clipping in different fields, ranging from highly sophisticated ordering systems in the sciences, to bureaucratic archives, to their appearance in the collages of the Dadaists. Te Heesen emphasises the materiality of paper and analyses the practices connected with it, placing them and their instruments and tools within a theoretical framework. This history also sheds light on the handling of information, information overload and the generation of knowledge, drawing parallels with the internet. Te Heesen offers a counterpoint to existing works on the iconographic meaning of materials by opening up an interdisciplinary framework through the use of different case studies. -- .

The recurring theme of the work of Miriam Wosk is of the marvellous abundance of life in all its forms, whether human or animal, biological or botanical. This book illustrates her thickly encrusted paintings, which depict a unique world reflecting Wosk's visions, dreams and metaphysical imagination.