Characters are the most popular and easily accessible side of graffiti. They are the figures that stand beside the writers name and attract attention to it. They are brought to the fore in Graffiti Coloring Book 2: Characters. The book features themes by the worlds foremost graffiti writers. Well-built b-boys and b-girls with spray cans, boom boxes and attitude, comic figures with cartoon features and realistic portraits. All are waiting to be rendered in glorious color. In graffiti culture, the black-and-white drawing serves both as a model for a graffiti piece and as a work of art in its own right. Similarly, this book is both a toy and an art history document. With characters from world famour graffiti writers like: T-Kid TNB (New York), Tack FBA (New York), Part One TDS (New York), Wane COD (New York), Ezo TDS (New York), Zimad TD4 (New York), Too Fly (New York), Nic 707 OTB (New York), Revolt RTW (New York)

The evidential role of matter-when media records trace evidence of violence-explored through a series of cases drawn from Kosovo, Japan, Vietnam, and elsewhere. In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, Material Witness moves through a series of cases that provide insight into the ways in which materials become contested agents of dispute around which stake holders gather. These cases include an extraordinary videotape documenting the massacre at Izbica, Kosovo, used as war crimes evidence against Slobodan Milosevic; the telephonic transmission of an iconic photograph of a South Vietnamese girl fleeing an accidental napalm attack; radioactive contamination discovered in Canada's coastal waters five years after the accident at Fukushima Daiichi; and the ecological media or "disaster film" produced by the Deep Water Horizon oil spill in the Gulf of Mexico. Each highlights the degree to which a rearrangement of matter exposes the contingency of witnessing, raising questions about what can be known in relationship to that which is seen or sensed, about who or what is able to bestow meaning onto things, and about whose stories will be heeded or dismissed. An artist-researcher, Schuppli offers an analysis that merges her creative sensibility with a forensic imagination rich in technical detail. Her goal is to relink the material world and its affordances with the aesthetic, the juridical, and the political.

Get started, get inspired, and get creating your own stunning collage artworks. The ultimate accessible artform, collage is truly for everyone. Stephanie Hartman, creator of Collage Club Ldn, takes you through all the basics you'll need to create your own works of collage. Learn how to find and choose materials, what tools you'll need in your basic kit and how to get started on your artistic journey. Simple warm-up exercises give you the confidence to overcome the fear of the blank page, and more complex step-by- step exercises will motivate you to push your practice to the next level. Never be stuck for inspiration again, and discover a unique, tactile and transformative artform that anyone can learn.

A complex and contradictory graffiti culture has been brewing over the last few decades in one of the least expected settings-China's capital. Through an unparalleled collection of one local photographer's images, as well as interviews with 25 prolific artists, see how Beijing has developed its graffiti movement against the backdrop of the once-secluded nation's rise to global economic might. While Beijing graffiti artists take their cue from the subculture's Western origins, the local scene has also been highly influenced by both foreign visitors and traditional Chinese art and culture. Profiles of significant artists explore the dynamics of creative self-expression in such a perceivedly authoritarian setting, including the surprising amount of freedom they have to make their art undisturbed compared to Western counterparts. A must for graffiti enthusiasts, Sinophiles, and anyone interested in how this colorful subculture is still growing half a century after it emerged.

Cut it, stick it, twist it! Collage is the art of reinvention, a magical and tactile process that invites you to collect, experiment, combine and transform. Requiring no specialist equipment - only everyday materials - it is an art form for everyone and every budget. From striking architectural builds to mixed-media menageries, this book offers fresh ideas and guidance to help you cut and paste your way to your own unique artworks.

Legal or illegal graffiti It's sometimes beautiful, sometimes ugly, but given time it can be breathtaking in it's skill of execution. 'Burn After Reading' is the end result of a unique meeting of styles. When high end professional photography meets cutting edge graffiti. Images from USA, UK, Europe.

An innovative dialogue between street culture and contemporary art featuring some of the most internationally renowned artists and photographers. Future/Memory is a book about the exhibition with the same name, organized in Dresden, Germany at HELLE- RAU - European Center for the Arts Dresden, during the summer of 2013. Future/Memory shows the nature of the work of artists like Boogie, Martha Cooper, Cody Hudson and Horfee - artists that all stems from, and get their inspiration from street culture and urban environment. Wasted objects in the street are turned into sculptures; images of children playing in the Bronx are transformed into timeless testimonies of the 1980s. Graffiti is convert- ed into abstract and conceptual art, and a blank wooden wall becomes a contemporary vision of an archaic altar. Future/Memory condenses images of the past and the future taken from human urban surroundings and enlightens the importance of the artistic dialogues, their gestures and energy of street life. The artists featured in Future/Memory are Boogie, Martha Cooper, Horfee, Cody Hudson, HuskMitNavn, Cleon Peterson, Jay "One" Ramier, Skki and SuperBlast."

The perfect fun and relaxing art project for adults and children, this activity pack includes everything needed for readers to make their own Pointillist sticker masterpiece. Containing 14 sticker sheets with over three-thousand colored circular stickers and an 18" x 32" (46 x 82.5 cm) poster "canvas" of colored outlines, readers simply need to match the colored stickers to the outlines found on the poster to recreate the painting. Given that Pointillism relies on the ability of the eye and brain to blend colored dots into a fuller range of tones, it's not necessary to place each sticker on precisely the right outline. As a result, every finished poster will be somewhat different- and extremely satisfying. With a handy folder-style flap that allows for easy storage and transportation of the artwork in progress, Dot Art: Sticker Seurat makes the perfect activity to take on vacation or to unwind after a busy day.

'You capture so much in one frozen moment of time, and the fact that this tiny moment will now last forever makes it so much more profound...' Immortalised through the BBC's 'Peaky Blinders', and now in the throes of HS2 development, Birmingham's up and coming creative quarter is in the spotlight as Nigel Parker documents the unique people and places of Digbeth.

Practical guide to creating meaningful Polynesian tattoos. List of symbols and their meanings. Quick reference to find the right symbols for the desired meanings. Positioning the elements. Step by step creation process. Live examples and case studies. A lot more

Dirtypilot.com Year 1 Rewind presents the work of 15 of the artists that Dirtypilot.com has showcased in its monthly online exhibitions during its inaugural year, beginning in May 2007. These works embrace a range of movements from graffiti, street and urban art to pop and and outsider art. Rendered in mediums, from spray paint, oil, acrylic, water color and mixed media, to simple pen and ink, graphic, silkscreen and other transfer methods. Featured artists include up and coming talents along with established artists, such as Chris "Daze" Ellis, Kime Buzzelli, Bravo Jet, Albert Reyes, Papermonster, Chris Stain, Ghost, Ewok 5MH, Cern YMI, Dennis McNett, Greg Gossel, Stephen Tompkins, Enrique Martinez, Justin Bua, Michael Krueger and Daniel Johnston. Both a contemporary representation of the most riveting urban art of our time and a frozen slice of art history that hundreds of thousands of urban art collectors and aficionados who frequent DirtyPilot.com can enjoy today and tomorrow. This diverse body of artwork also stands as an enlightening sampling for collectors and art students unfamiliar with urban motifs. A sturdy, hardcover compellation of shows, Dirtypilot.com Year 1 Rewind dedicates from two to six pages of illustrations of each showcased artist as well as the dates the artists showed their work on Dirtypilot.com. It also delivers biographical sketches on each contributor. The book's introduction by Dirtypilot.com founder Alan Bortman offers insightful background information on the origin and focal point of the Dirtypilot site. If you're passionate about urban art and urban artists and want to learn more, Dirtypilot.com Year 1 Rewind is a visual treasure trove for collectors thatyou won't want to be without.

In the 1960s and early 1970s, young people in New York City radically altered the tradition of writing their initials on neighborhood walls. Influenced by the widespread use of famous names on billboards, in neon, in magazines, newspapers, and typographies from advertising and comics, city youth created a new form of expression built around elaborately designed names and initials displayed on public walls, vehicles, and subways. Critics called it "graffiti," but to the practitioners it was "writing."

"Taking the Train" traces the history of "writing" in New York City against the backdrop of the struggle that developed between the city and the writers. Austin tracks the ways in which "writing" -- a small, seemingly insignificant act of youthful rebellion -- assumed crisis-level importance inside the bureaucracy and the public relations of New York City mayoral administrations and the Metropolitan Transportation Authority for almost two decades. "Taking the Train" reveals why a global city short on funds made "wiping out graffiti" an expensive priority while other needs went unfunded. Although the city eventually took back the trains, Austin eloquently shows how and why the culture of "writing" survived to become an international art movement and a vital part of hip-hop culture.

The recurring theme of the work of Miriam Wosk is of the marvellous abundance of life in all its forms, whether human or animal, biological or botanical. This book illustrates her thickly encrusted paintings, which depict a unique world reflecting Wosk's visions, dreams and metaphysical imagination.