With essays by Jan Baetens, David A. Berona, Frank L. Cioffi, N.
C. Christopher Couch, Robert C. Harvey, Gene Kannenberg, Jr.,
Catherine Khordoc, David Kunzle, Marion D. Perret, and Todd
Taylor
In our culture, which depends increasingly on images for
instruction and recreation, it is important to ask how words and
images make meaning when they are combined. Comics, one of the most
widely read media of the twentieth century, serves as an ideal for
focusing an investigation on the word-and-image question.
This collection of essays attempts to give an answer. The first
six see words and images as separate art forms that play with or
against each other. David Kunzle finds that words restrict the
meaning of the art of Adolphe Willette and Theophile-Alexandre
Steinlen in Le Chat Noir. David A. Berona, examining wordless
novels, argues that the ability to read pictures depends on the
ability to read words. Todd Taylor draws on classical rhetoric to
demonstrate that images in The Road Runner are more persuasive than
words.
N. C. Christopher Couch--writing on The Yellow Kid--and Robert
C. Harvey--discussing early New Yorker cartoons--are both
interested in the historical development of the partnership between
words and images in comics. Frank L. Cioffi traces a disjunctive
relationship of opposites in the work of Andrzej Mleczko, Ben
Katchor, R. Crumb, and Art Spiegelman.
The last four essays explore the integration of words and
images. Among five comic book adaptations of Hamlet Marion D.
Perret finds one in which words and images form a dialectic. Jan
Baetens critiques the semiotically inspired theory of Phillippe
Marion. Catherine Khordoc explores speech balloons in Asterix the
Gaul. Gene Kannenberg, Jr., demonstrates how the Chicago-based
artist Chris Ware blurs the difference between word and image.
"The Language of Comics," however, is the first collection of
critical essays on comics to explore a single issue as it affects a
variety of comics.
Robin Varnum, an instructor of English at the American
International College in Springfield, Massachusetts, has been
published in "Writing on the Edge," "Journal of Advanced
Composition," "Harvard Library Bulletin," and "Rhetoric Society
Quarterly." Christina T. Gibbons, an independent scholar living in
Brattleboro, Vermont, has been published in "Journal of Regional
Cultures." "
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