With applications throughout the social sciences, culture and psychology is a rapidly growing field that has experienced a surge in publications over the last decade. From this proliferation of books, chapters, and journal articles, exciting developments have emerged in the relationship of culture to cognitive processes, human development, psychopathology, social behavior, organizational behavior, neuroscience, language, marketing, and other topics. In recognition of this exponential growth, Advances in Culture and Psychology is the first annual series to offer state-of-the-art reviews of scholarly research in the growing field of culture and psychology. The Advances in Culture and Psychology series is: * Developing an intellectual home for culture and psychology research programs * Fostering bridges and connections among cultural scholars from across the discipline * Creating a premier outlet for culture and psychology research * Publishing articles that reflect the theoretical, methodological, and epistemological diversity in the study of culture and psychology * Enhancing the collective identity of the culture and psychology field Comprising chapters from internationally renowned culture scholars and representing diversity in the theory and study of culture within psychology, Advances in Culture and Psychology is an ideal resource for research programs and academics throughout the psychology community.

The Language of Murder Cases describes fifteen court cases for which Roger Shuy served as an expert language witness, and explains the issues at stake in those cases for lawyers and linguists. Investigations and trials in murder cases are guided by the important legal terms describing the mental states of defendants-their intentionality, predisposition, and voluntariness. Unfortunately, statutes and dictionaries can provide only loose definitions of these terms, largely because mental states are virtually impossible to define. Their meaning, therefore, must be adduced either by inferences and assumptions, or by any available language evidence-which is often the best window into a speaker's mind. Fortunately, this window of evidence exists primarily in electronically recorded undercover conversations, police interviews, and legal hearings and trials, all of which are subject to linguistic analysis during trial. This book examines how vague legal terminology can be clarified by analysis of the language used by suspects, defendants, law enforcement officers, and attorneys. Shuy examines speech events, schemas, agendas, speech acts, conversational strategies, and smaller language units such as syntax, lexicon, and phonology, and discusses how these examinations can play a major role in deciding murder cases. After defining key terms common in murder investigations, Shuy describes fifteen fascinating cases, analyzing the role that language played in each. He concludes with a summary of how his analyses were regarded by the juries as they struggled with the equally vague concept of reasonable doubt.

Poetic Conventions as Cognitive Fossils offers a major theoretical statement of where poetic conventions come from. The work comprises Reuven Tsur's research in cognitive poetics to show how conventional poetic styles originate from cognitive rather than cultural principles. The book contrasts two approaches to cultural conventions in general, and poetic conventions in particular. They include what may be called the "culture-begets-culture" or "influence-hunting" approach, and the "constraints-seeking" or "cognitive-fossils" approach here expounded. The former assumes that one may account for cultural programs by pointing out their roots in earlier cultural phenomena and provide a map of their migrations. The latter assumes that cultural programs originate in cognitive solutions to adaptation problems that have acquired the status of established practice. Both conceptions assume "repeated social transmission," but with very different implications. The former frequently ends in infinite regress; the latter assumes that in the process of repeated social transmission, cultural programs come to take forms which have a good fit to the natural constraints and capacities of the human brain. Tsur extends the principles of this analysis of cognitive origins of poetic form to the writing systems, not only of the Western world, but also to Egyptian hieroglyphs through the evolution of alphabetic writing via old Semitic writing, and Chinese and Japanese writings; to aspects of figuration in medieval and Renaissance love poetry in English and French; to the metaphysical conceit; to theories of poetic translation; to the contemporary theory of metaphor; and to slips of the tongue and the tip-of-the-tongue phenomenon, showing the workings and disruption of psycholinguistic mechanisms. Analysis extends to such varying sources as the formulae of some Mediaeval Hebrew mystic poems, and the ballad 'Edward,' illustrative of extreme 'fossilization' and the constraints of the human brain.

This book offers a state-of-the-art guide to linguistic fieldwork, reflecting its collaborative nature across the subfields of linguistics and disciplines such as astronomy, anthropology, biology, musicology, and ethnography. Experienced scholars and fieldworkers explain the methods and approaches needed to understand a language in its full cultural context and to document it accessibly and enduringly. They consider the application of new technological approaches to recording and documentation, but never lose sight of the crucial relationship between subject and researcher. The book is timely: an increased awareness of dying languages and vanishing dialects has stimulated the impetus for recording them as well as the funds required to do so. The Handbook is an indispensable source, guide, and reference for everyone involved in linguistic and cultural fieldwork.

From the 494 B.C. plebeians' march out of Rome to gain improved status, to Gandhi's nonviolent campaigns in India, to the liberation of Poland and the Baltic nations, and the revolutions in North Africa, nonviolent struggles have played pivotal roles in world events for centuries. Sharp'sDictionary of Power and Struggle is a groundbreaking reference work on this topic by the "godfather of nonviolent resistance." In nearly 1,000 entries, the Dictionary defines those ideologies, political systems, strategies, methods, and concepts that form the core of nonviolent action as it has occurred throughout history and across the globe, providing much-needed clarification of language that is often mired in confusion. Entries discuss everything from militarization to censorship, guerrilla theater, pacifism, secret agents, and protest songs. In addition, the dictionary features a foreword by Sir Adam Roberts, President of the British Academy; an introduction by Gene Sharp; an essay on power and realism; case studies of conflicts in Serbia and Tunisia; and a guide for further reading. Sharp's Dictionary of Power and Struggle is an invaluable resource for activists, educators and anyone else curious about nonviolent alternatives to both passivity and violent conflict.
"Gene Sharp is perhaps the most influential proponent of nonviolent action alive."--The Progressive
"Sharp has had broad influence on international events over the past two decades, helping to advance a global democratic awakening."--The Wall Street Journal
" Sharp's] work has served as the template for taking on authoritarian regimes from Burma to Belgrade."--The Christian Science Monitor

Tossary of Terms by Modern Toss is the first in an illustrated dictionary series. Produced by cartoonists Jon Link & Mick Bunnage, this book features new words such as: Scumcestor, Prioritit, Newmonia, Cock-bonnet, Screen-margarine and Attenborough's Trench. The fast changing modern scene chucks up stuff faster than we can nail it down and label it. The ear grease on a smart phone screen, wearing a hat that makes you look like even more of a tit, the DNA rich stew in the bogs hand dryer trough, paying extra money to sit in a plane before the rest of the passengers. This invaluable tool for navigating the 21st century shitscape is printed on paper, rendering it impervious to cyber attack.

Idiomantics is a unique exploration of the world of idiomatic phrases. The very etymology of the word 'idiom' reveals what's so endlessly fascinating about the wide range of colourful phrases we use in everyday speech: their peculiarity. They're peculiar both in the sense of being particular or unique to the culture from which they originate, and in the sense of being downright odd. To cite three random examples - from American English, Dutch and Italian - what on Earth are a snow job, a monkey sandwich story, and Mr Punch's secret? Fascinating and illuminating, Idiomantics explains all... The ideal gift for word buffs and in fact, anyone who enjoys a good yarn, this playful book looks at 12 groups of idioms around the world, looking at subjects such as fun and games, gastronomic delights and the daily grind.

Theology at the Void explores the intersection of three central questions: What is human being? What is language? What is theology? Drawing on the writings of five major intellectuals from various religious and academic traditions, Thomas M. Kelly seeks to answer these questions by tracing the emergence of a problem that arises when various modes of thought disagree on the relationship between experience, language, and theological inquiry.

Kelly begins the discussion with an analysis of Friedrich Schleiermacher's understanding of human experience, language, and theology to articulate the Christian faith. Twentieth-century thinkers Wayne Proudfoot and George Lindbeck are introduced early in the text as critics of Schleiermacher's approach, which, they maintain, is dependent upon a culturally limited theological anthropology. Kelly argues that contrary to Schleiermacher's "turn to the subject" theological methodology, postmodern thinkers assign no priority to experience but rather assert that languages and cultural systems construct experience.

As one solution to the tension between these two camps, Kelly proposes two alternative approaches: George Steiner and Karl Rahner. In his book Real Presences, renowned literary critic George Steiner suggests a possibility for moving beyond the more radical anthropological elements of the postmodern critique. Karl Rahner offers a theological alternative that is sensitive both to the postmodern critique as well as to the nature of Catholic theology. Kelly demonstrates how both of these great thinkers provide a viable resolution to a major problem facing systematic theology. In the end, Kelly finds Rahner's resolution most persuasive.

Theologyat the Void is an engaging assessment of the problem of whether one can formulate a theology using human experience as its fundamental principle.

The Oxford Handbook of Chinese Linguistics offers a broad and comprehensive coverage of the entire field from a multi-disciplinary perspective. All chapters are contributed by leading scholars in their respective areas. This Handbook contains eight sections: history, languages and dialects, language contact, morphology, syntax, phonetics and phonology, socio-cultural aspects and neuro-psychological aspects. It provides not only a diachronic view of how languages evolve, but also a synchronic view of how languages in contact enrich each other by borrowing new words, calquing loan translation and even developing new syntactic structures. It also accompanies traditional linguistic studies of grammar and phonology with empirical evidence from psychology and neurocognitive sciences. In addition to research on the Chinese language and its major dialect groups, this handbook covers studies on sign languages and non-Chinese languages, such as the Austronesian languages spoken in Taiwan.

From the dawn of the early modern period around 1400 until the eighteenth century, Latin was still the European language and its influence extended as far as Asia and the Americas. At the same time, the production of Latin writing exploded thanks to book printing and new literary and cultural dynamics. Latin also entered into a complex interplay with the rising vernacular languages. This Handbook gives an accessible survey of the main genres, contexts, and regions of Neo-Latin, as we have come to call Latin writing composed in the wake of Petrarch (1304-74). Its emphasis is on the period of Neo-Latin's greatest cultural relevance, from the fifteenth to the eighteenth centuries. Its chapters, written by specialists in the field, present individual methodologies and focuses while retaining an introductory character. The Handbook will be valuable to all readers wanting to orientate themselves in the immense ocean of Neo-Latin literature and culture. It will be particularly helpful for those working on early modern languages and literatures as well as to classicists working on the culture of ancient Rome, its early modern reception and the shifting characteristics of post-classical Latin language and literature. Political, social, cultural and intellectual historians will find much relevant material in the Handbook, and it will provide a rich range of material to scholars researching the history of their respective geographical areas of interest.

In this book Adrian Koopman details the complex relationship between plants, the Zulu language and Zulu culture. Zulu plant names do not just identify plants, they tell us a lot more about the plant, or how it is perceived or used in Zulu culture. For example, the plant name umhlulambazo (what defeats the axe’ tells us that this is a tree with hard, dense wood, and that usondelangange (come closer so I can embrace you) is a tree with large thorns that snag the passer-by. In a similar vein, both umakuphole (let it cool down) and icishamlilo (put out the fire) refer to plants that are used medicinally to treat fevers and inflammations. Plants used as the base of love-charms have names that are particularly colourful, such as unginakile (she has noticed me), uvelabahleke (appear and they smile) and the wonderfully named ungcingci-wafika-umntakwethu (how happy I am that you have arrived, my sweetheart!). And then there are those plant names that are just plain intriguing, if not mystifying: umakhandakansele (the heads of Mr Ratel), isandlasonwabu (hand of a chameleon), intombikayibhinci (the girl does not wear clothes) and ukhuningomile (piece of firewood, I am thirsty).