This groundbreaking collection of thirteen original essays analyzes
connections between film and two highly influential
twentieth-century movements. The essays, which comment on specific
films and deal with theoretical and topical questions, are framed
by a documentary section that includes a photographic reproduction
of the manuscript scenario for Robert Desnos's and Man Ray's
"L'Etoile de mer," and an introduction by the editor that provides
a cogent working model for the difference between Dada and
Surrealist perspectives.
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