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The Sculpted Ear - Aurality and Statuary in the West (Hardcover)
Loot Price: R2,633
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The Sculpted Ear - Aurality and Statuary in the West (Hardcover)
Series: Perspectives on Sensory History
Expected to ship within 10 - 15 working days
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Sound and statuary have had a complicated relationship in Western
aesthetic thought since antiquity. Taking as its focus the sounding
statue-a type of anthropocentric statue that invites the viewer to
imagine sounds the statue might make-The Sculpted Ear rethinks this
relationship in light of discourses on aurality emerging within the
field of sound studies. Ryan McCormack argues that the sounding
statue is best thought of not as an aesthetic object but as an
event heard by people and subsequently conceptualized into being
through acts of writing and performance. Constructing a history in
which hearing plays an integral role in ideas about anthropocentric
statuary, McCormack begins with the ancient sculpture of Laocooen
before moving to a discussion of the early modern automaton known
as Tipu's Tiger and the statue of the Commendatore in Mozart's Don
Giovanni. Finally, he examines statues of people from the present
and the past, including the singer Josephine Baker, the violinist
Aleksandar Nikolov, and the actor Bob Newhart-with each case
touching on some of the issues that have historically plagued the
aesthetic viability of the sounding statue. McCormack convincingly
demonstrates how sounding statues have served as important
precursors and continuing contributors to modern ideas about the
ontology of sound, technologies of sound reproduction, and
performance practices blurring traditional divides between music,
sculpture, and the other arts. A compelling narrative that
illuminates the stories of individual sculptural objects and the
audiences that hear them, this book will appeal to anyone
interested in the connections between aurality and statues in the
Western world, in particular scholars and students of sound studies
and sensory history.
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