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Songs of Sorrow - Lucy McKim Garrison and Slave Songs of the United States (Hardcover)
Loot Price: R2,667
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Songs of Sorrow - Lucy McKim Garrison and Slave Songs of the United States (Hardcover)
Series: American Made Music Series
Expected to ship within 12 - 19 working days
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In the spring of 1862, Lucy McKim, the nineteen-year-old daughter
of a Philadelphia abolitionist Quaker family, traveled with her
father to the Sea Islands of South Carolina to aid him in his
efforts to organize humanitarian aid for thousands of newly freed
slaves. During her stay she heard the singing of the slaves in
their churches, as they rowed their boats from island to island,
and as they worked and played. Already a skilled musician, she
determined to preserve as much of the music as she could, quickly
writing down words and melodies, some of them only fleeting
improvisations. Upon her return to Philadelphia, she began
composing musical settings for the songs and in the fall of 1862
published the first serious musical arrangements of slave songs.
She also wrote about the musical characteristics of slave songs,
and published, in a leading musical journal of the time, the first
article to discuss what she had witnessed. In Songs of Sorrow
renowned music scholar Samuel Charters tells McKim's personal
story. Letters reveal the story of young women's lives during the
harsh years of the war. At the same time that her arrangements of
the songs were being published, a man with whom she had an
unofficial ""attachment"" was killed in battle, and the war forced
her to temporarily abandon her work. In 1865 she married Wendell
Phillips Garrison, son of abolitionist William Lloyd Garrison, and
in the early months of their marriage she proposed that they turn
to the collection of slave songs that had long been her dream. She
and her husband--a founder and literary editor of the recently
launched journal The Nation--enlisted the help of two associates
who had also collected songs in the Sea Islands. Their book, Slave
Songs of the United States, appeared in 1867. After a long illness,
ultimately ending in paralysis, she died at the age of thirty-four
in 1877. This book reclaims the story of a pioneer in
ethnomusicology, one whose influential work affected the Fisk
Jubilee Singers and many others.
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