0
Your cart

Your cart is empty

Books > Arts & Architecture > Performing arts > Films, cinema > Individual film directors, film-makers

Buy Now

Andrei Tarkovsky (Paperback, 3 New Edition) Loot Price: R438
Discovery Miles 4 380
Andrei Tarkovsky (Paperback, 3 New Edition): Sean Martin

Andrei Tarkovsky (Paperback, 3 New Edition)

Sean Martin

 (sign in to rate)
Loot Price R438 Discovery Miles 4 380

Bookmark and Share

Expected to ship within 12 - 17 working days

Andrei Tarkovsky is the most celebrated Russian filmmaker since Eisenstein, and one of the most important directors to have emerged during the 1960s and 70s. Although he made only seven features, each one was a major landmark in cinema, the most well-known of them being the mediaeval epic Andrei Rublev - widely regarded as one of the greatest films of all time - and the autobiographical Mirror, set during the Russia of Stalin's purges in the 1930s and the years of stagnation under Brezhnev. Both films landed Tarkovsky in considerable trouble with the authorities, and he gained a reputation for being a tortured - and ultimately martyred - filmmaker. Despite the harshness of the conditions under which he worked, Tarkovsky built up a remarkable body of work. He burst upon the international scene in 1962 with his debut feature Ivan's Childhood, which won the Golden Lion at Venice and immediately established him as a major filmmaker. During the 1970s, he made two classic ventures into science-fiction, Solaris, regarded at the time as being the Soviet reply to Kubrick's 2001: A Space Odyssey and later remade by Steven Soderbergh, and Stalker, which was thought to have predicted the Chernobyl disaster. Harassed at home, Tarkovsky went into exile and made his last two films in the West, where he also published his classic work of film and artistic theory, Sculpting in Time. Since his death in Paris in 1986, his reputation continued - and continues - to grow. Sean Martin considers the whole of Tarkovsky's oeuvre, from the classic student film The Steamroller and the Violin, across the full-length films, to the later stage works and Tarkovsky's writings, paintings and photographs. Martin also seeks to demystify Tarkovsky as a 'difficult' director, whilst also celebrating his radical aesthetic of long takes and tracking shots, which Tarkovsky was to dub 'imprinted' or 'sculpted' time, and to make a case for Tarkovsky's position not just as an important filmmaker, but also as an artist who speaks directly about the most important spiritual issues of our time.

General

Imprint: Kamera Books
Country of origin: United Kingdom
Release date: September 2021
Authors: Sean Martin
Dimensions: 198 x 129 x 21mm (L x W x T)
Format: Paperback - B-format
Pages: 224
Edition: 3 New Edition
ISBN-13: 978-0-85730-470-4
Categories: Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
Books > Arts & Architecture > Performing arts > Films, cinema > Individual film directors, film-makers
LSN: 0-85730-470-4
Barcode: 9780857304704

Is the information for this product incomplete, wrong or inappropriate? Let us know about it.

Does this product have an incorrect or missing image? Send us a new image.

Is this product missing categories? Add more categories.

Review This Product

No reviews yet - be the first to create one!

Partners